Anti-Social Facebook Managers Addicting Children on Social Media

Rowan Williams, formerly Archbishop of Canterbury, spoke out repeatedly on the innate social nature of human beings. Before we can talk, we are talked to. Social interaction is firmly rooted in human nature as well as how we are constituted in groups and societies. Whereas Williams called for more compassion to emerge out of our social nature, a political realist might point out that we don’t have to look very closely to find a power-dynamic existing in practically any group. Nietzsche argues in Genealogy of Morals that exploitation naturally exists in how we as a social species are constituted because the will for power is the strongest human instinct. This motive can operate stealthily as compassion and even altruism. The Jansenist priest, Pierre Nicole, wrote an essay in 1677 to point out that what we moderns call enlightened self-interest is nonetheless rooted in self-love even when it is extended in acts of compassion that appear to spring solely from other-regard. On August 26, 2026, a landmark settlement was announced to end a trial in which 47 U.S. member states sued Meta, which owns and operates Facebook. Regardless of whether Meta executives agreed to pay $17 billion just to get rid of the bad publicity or because the accusations were true, the dollar figure alone suggests that Facebook’s management had indeed been intending to manipulate children by addicting them to feeds.  In other words, the company had been short on compassion even under the rubric of social media. Nietzsche would not have been at all surprised at such power being played to extract value from human beings under stealth.

The full essay is at "Anti-Social Facebook Managers Addicting Children on Social Media."

Murder on the Orient Express

If viewers can get past Hercule Poirot’s extraordinarily long (and awful) mustache in the 2017 film, Murder on the Orient Express, listening closely to some of the detective’s choice observations on human nature and ethics can deliver philosophical dividends. Indeed, Poirot admits to being able to see the world only as it should be, which enables him to detect even small physical (and psychological) aberrations, even concerning eggs for breakfast, and so he has become, as he unabashedly states, the world’s best detective. After having solved the case on the stopped train, however, he realizes that even his “gift” at detection is not fully in line with how things should be, and so he compromises with his austere ethical standards because he finds himself in a “gray area,” ethically speaking.

The full essay is at "Murder on the Orient Express."

Awake

Although no overtly theological or religious material is in the film Awake (2007) because greed itself is the real antagonist, idolatry (self-idolatry actually) can be imputed, and in this sin the underlying sordid foundation of the vice can be grasped. In in his letter to the Colossians, Paul ends his list of sins with greed, “which is idolatry.”[1] The easiest way to interpret this classification of greed being a case of idolatry is to assume that the idol is money (or wealth). The idolatry of wealth is enunciated and perhaps even personified by Gordon Gekko in the film, Wall Street (1987). No amount of personal wealth is enough. “Greed, for lack of a better word, is good,” greed being the desire for more. Gekko delivers the line during his speech to Teldar Paper stockholders. Left unsaid in his speech is the tremendous toll that greed can take not only on other people, but also oneself, for a very circumscribed, as to benefits, selfishness goes along with greed and may even be its foundation. A greedy person would presumably think nothing of betraying a friend if doing so would increase the person’s wealth, especially if no future financial benefit is likely from the friend. To be sure, greed need not be oriented to more money; a selfish person addicted to sex (i.e., in the sense of being regularly driven to have more of it) would have no problem betraying a even a spouse, and even demand of him or her that the addict’s outside sex with others, even with a romantic connection, must and even should be accepted in order to stay. Such extreme, unrepentant callousness can apply to greed for money too, and this is evinced in Awake. The vice of greed as ultimately self-idolatry has an evil connotation, given how much pain and thus harm self-idolatry can easily inflict on other people. The virtue of self-sacrifice is farther than the farthest star from such greed, and the sheer pathos of distance between self-sacrifice out of love and self-idolatry as greedy selfishness is palpable in the film, which arguably intimates and may even stimulate religious sensibilities without being explicit or preachy.

The full essay is at "Awake."

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1. Col. 3:5 (NIV)

Strange River

Not every film has an implicit Thoreau signature reflective of the nineteenth-century Romantic turn from the age of Reason. Not every film brings to mind the Romantic painter, Joseph M. W. Turner (1775-1851), whose painting of nature’s green growing over classic Roman pillars as if to say, nature has the last word. The European film, Strange River (2025), is such a film. The key to making these connections lies not in the film’s dialogue, but, rather, in Jaume Muxart’s consistent choice to direct the film by ending several scenes with elongated camera-shots of nature. This leitmotif has Thoreau’s Walden Pond written all over it and is an implicit critique of rationality.

The full essay is at "Strange River."

Israel in Lebanon: On the Hubris of Hatred

Hatred warps reasoning as well as ethical judgment along the lines of a warped time-space fabric around a large mass. In other words, the sheer gravitational pull of self-centeredness can bend both thought and judgment. As essentially egoist, this phenomenon can itself be considered to be unethical, for what are actually equivalent ethical harms are perceived as unequal at the expense of other people or peoples. Even though Israel’s military attacks in, and invasion of, Lebanon in 2026 could be said to be in violation of international law, Israel’s national security minister said on June 19^th that all of Lebanon must burn because four Israeli soldiers had just been killed in combat when their tank was hit near Kfar Tebnit. The official’s statement is significant in that it lays bare the false equivalence of the lives of four Israelis and the entire population of Lebanon. The warped judgment and related ratiocination behind such a baseless equivalence can be grasped from the standpoint of utilitarianism.

The full essay is at "Israel in Lebanon." 

The String

The original title of the 2009 film, The String, is Le Fil, which actually translates as thread rather than string. These two English words have different connotations and this bears on the film’s leitmotif. Whereas a person can string another person along, a thread has a connotation of linking people emotionally. The thread that ultimately succeeds in the film is that of caring, which is antipodal to hurting, emotionally speaking. In this sense, the film is like The Holiday (2006), another romantic drama in which the good guys (and gals) wind up on top. In terms of the theme of caring and not hurting other people, that The String centers on two gay men who fall in love whereas The Holiday is about two heterosexual couples matters little, though the resistance to homosexuality in The String is an additional hurdle. I contend that like The Holiday, The String can provide audiences with how falling in love can proceed naturally without exploding because one person hurts the other. In other words, the ethical wins out in both films in regard to emotionally intimate romantic relationships, and in this respect the medium of film has value in terms of ethics.

The full essay is at "The String."

The Pledge

Even though The Pledge (2001) is murder-mystery film, it is fundamentally a tragedy without regard to the murder. Jack Nicholson plays Jerry Black, a retired police investigator who loses everything because he is faithful to a pledge that he made to the parents of the young girl who had been raped and murdered by a serial killer. It is Jerry’s fidelity to the pledge that is highlighted throughout the film, and ultimately ends in his ruin. The film thus depicts what in Kant’s ethic is the ability of rational beings to be taken as promise-keepers bound by the promises we make as if they had the necessity of law.

The full essay is at "The Pledge."

Confucius on the Ethics of Religious Knowledge

A contemporary scholar of Chinese philosophy wrote, “myths often contain an element of historical truth, and what passes for historical truth often has mythical elements.”[1] By implication, not everything that seems to be historically valid in a religious story is, for it is fair-game in that genre to assuage and even invent “historical” events to make theological points. Lest it be thought that histories are written objectively, it should not be forgotten that historical accounts are written by human beings, and thus are subject to our limitations, including bias. Nevertheless, religious stories, or myth, and historical accounts are different genres of writing, and have very different purposes and criteria. To conflate the two genres, or, moreover, any other domain with that of religion, is to deny the uniqueness of religion (as well as that of other, even related domains). Religion and ethics, for instance, are two, admittedly very closely related, domains of human experience.

The full essay is at "Confucius on the Ethics of Religious Knowledge."

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1. Bryan W. Van Norden, Introduction to Classical Chinese Philosophy (Indianapolis: Hackett Pub., 2011), p. 2.

Gladiator

Even though it may be tempting to summarize the virtues of ancient Rome as “might makes right” because of the emphasis, which is even in the Latin language, on fighting armies and repressing rebel populations, the virtues did not reduce to those of war. In fact, such virtues, as Nietzsche suggests in his texts, can serve as a refresher for our species as it has “progressed” through the centuries since the Roman Empire existed. Even though the film Gladiator (2000) contains much mortal combat albeit contained in coliseums rather than unrestrained on battle fields, at least three clusters of virtues can be gleamed and articulated as alternative “schools” of virtue ethics. This is not to say that all three are equally valid, however. The virtues cherished by the Emperor Commodus, for instance, are arguably inferior ethically to those of his father, Marcus Aurelius, and even those of the gladiators.

The full essay is at "Gladiator." 

Flight

With utility and consequences valued so much in Western society at least as of 2012, when the film, Flight, was released, the story-world of the film may seem odd in that doing what’s right comes out on top, even at the expense of knowingly losing benefits and incurring costs personally. In other words, deciding on the basis of conscience even at the expense of good consequences for oneself is possible even in a culture in which “saving one’s skin” rather than doing what is right is the norm. By immersing viewers in a story-world, a narrative with well-developed characters can highlight a societal blind-spot, and thus potentially result in a better society in which people make the effort to re-value their ethical values to the extent that their dominant values support consequentialism above standing on principle even though bad consequences for oneself can be anticipated. In the film, 96 out of 102 of the people on board survive the plane crash even though the metal bird had been in an uncontrolled vertical fall from 30,000 feet. How could the captain not be seen as a hero? If all that matters are results, 96 out of 102 is not bad at all, and being able to get out of a dive even as the tail stabilizer keeps pointing the plane downward is extraordinary.

The full essay is at "Flight."

The Irishman

Although Scorsese’s 2019 film, The Irishman, is a fictional crime story, it is based on Charles Brandt’s book, I Heard You Paint Houses, which incorporates interviews that the lead character, Frank Sheeran, who was in real life a close friend of James Hoffa of the Teamsters labor union, gave. Even so, viewers should not make the assumption that Scorsese’s intent was to represent contestable explanations of historical events, such as the disappearance of Hoffa. Similarly, it cannot be assumed that the actual writers of the four Christian Gospel faith-narratives intended to write historical accounts; in fact, it is perfectly legitimate to adapt historical events in making theological points. In making The Irishman, Scorsese no doubt wanted to present viewers with a problematic sketch of how weak the human conscience can be in certain individuals. In his book on Utilitarianism, John Stuart Mill begins by lamenting that no progress had been made over thousands of years by ethicist philosophers on the phenomenon of human morality. Scorsese’s film supports Mill’s point.

The full essay is at "The Irishman."

Political religion: Hitler Youth

In 2025 at Harvard, Madeline Levy presented her dissertation in progress in a graduate-student research workshop, which I was privileged to attend in my capacity as a research scholar at Harvard. She was presenting how the Hitler Youth program in Nazi Germany appropriated from religion politically, thus in a secular context yet with the aura of a religious cult. Interestingly, most of the kids in the program had been in church groups. Almost two decades earlier, I had audited a course on Nazi Cinema at another university; the course was taught by an 81-year-old German man who had been forced into Hitler Youth. Unlike Stalin’s cinema, which was blatant Soviet propaganda, Nazi cinema was escapist (not counting the anti-Jew propaganda “documentaries”). In contrast, Hitler Youth was hardly escapist, as the program was steeped in Nazi ideology. Although that ideology was secular, casting even Catholic Europe as an enemy, Levy was making the case that religious paraphernalia was incorporated in the program nonetheless. She brought up the element on ontology, or being, which in turn led me to draw on philosophy to explain the kids as becoming moral agents in a Kantian sense. Although philosophy and theology are distinct, both can be applied to political theory in a historical context.

The full essay is at "Political Religion."

Lord of War

Lord of War (2005) is a film in which a Ukrainian-born American arms dealer, Yuri Orlov, and his brother, Vitaly, who works with Yuri when not in voluntary rehab for drug abuse, make money by selling military arms to dictators including Andre Baptiste of Liberia. Whereas Yuri is able to maintain a mental wall keeping him from coming to terms with his contribution to innocent people getting killed by the autocrats who are his customers, Vitality is finally unable to resist facing his own complicity, and that of his brother. This itself illustrates that moral concerns may have some influence on some people but not others. Yuri’s position, which can be summed up as, what they do with the guns that we sell them is none of our business, contrasts with Vitaly as he realizes that as soon as the Somalian warlord takes the guns off the trucks, villages down the hill will be killed. Vitaly even sees a woman and her young child being hacked to death down below. Yuri tries to manage his brother so the sale can be completed and the two brothers can get out of Somalia, but Vitaly has finally had enough and has come to the conclusion that he and Yuri have been morally culpable by selling guns to even sadistic dictators like Andre Baptiste. Even as Yuri ignores his own conscience, Vitaly finally cannot ignore the dictates of his own, and he takes action. Does he ignore his happiness, and thus his self-interest, in being willing to die to save the villagers by blowing up (admittedly only) one of the two trucks, or has he reasoned through his conscience and found that it coincides with his happiness? In other words, are the moral dictates of a person’s conscience necessarily in line with a person’s happiness, and thus one’s self-interest? This is a question that the filmmaker could have explored in the film.

The full essay is at "Lord of War."

Medium Cool

In Medium Cool (1969), John Cassellis, a cameraman, maintains a medium-cool level of emotion even in the midst of the socio-political turmoil in Chicago during 1968 until he learns that his station manager had been allowing the FBI access to the news footage. The film can be interpreted as providing a justification for his lack of trust in American law enforcement even as the need for law and order is made clear from the ubiquity of the human instinctual urge of aggression. For the film shows not only the extent of violence, but also its engrained nature in our species. By implication, the viewer is left to conclude that that law enforcement is necessary in a civilized society.  Yet this can only be a necessary evil, for the last few scenes of the film show just how likely discretion is to be abused. The atrocious and one-sided police violence during the peaceful protests outside of the Democratic National Convention make it clear that if given the legal authority to use weapons, human beings may abuse such discretion if too weak to restrain their own personal passions and, albeit less common, even their psychological pathologies.

The full essay is at "Medium Cool."

Bladerunner

In 1982, when Bladerunner was released, 2019 could only have been a blink of an eye in people’s thoughts. Even the year 2001, the year in which the movie 2001: A Space Odessey (1968) takes place, must have seemed far off. Of course, the actual year was not so futuristic as to have a computer take over a space station; controversy over AI eclipsing the grasp of human control would not hit the societal mainstream for twenty years.  So, Ridley Scott can hardly be blamed for positing flying cars, and, even more astonishing, imposing the notion of a replicant, a being of genetic biomechanics that fuses computer and human characteristics, on 2019. Even acknowledging the tremendous impacts on society of inventions since the dawn of the twentieth century, the pace of technological change is slower than we imagine. In 2019, on the cusp of a global pandemic, flying (and self-driving) cars were just in the prototype/testing phase, and AI existed rudimentarily, and certainly not corporeally in human form. Scott missed the mark, probably by decades, though he got the trajectory right. Indeed, the film’s central issue—that of the threat of run-away, or “rebellious,” AI to humans—was reflected in the press especially during the first half of 2023. I contend, however, that the philosophical merit of the film lies not in political theory, but, rather, in what it means to be human. The nature of human understanding, self-awareness, an ethical sense, and matters of theological reflection are all brought to the forefront in the question of whether the replicants can and should be taken as human beings. In other words, it is the fusion of AI, or computers more generally, and biology that lies at the core of the film.

The full essay is at "Bladerunner."

Integrity in Ethical Leadership

In the late twentieth century, many leadership scholars explored the link between ethics and leadership. The ethical component was portrayed not only as adherence to particular principles, but also as character giving rise to virtue ethics and integrity. Unfortunately, neither character nor integrity are leadership skills; hence our topic goes beyond the apparently easy fix of training. This puts the emphasis on the hiring process, which can be dominated by positional experience and a candidate’s vision for the organization. Upper-echelon leadership, such as of a business, government, religious organization, or university, involves the articulation of a broad vision that can include even societal norms and values.  Steve Jobs’ vision, for instance, was of a society in which communications would be done entirely differently. Although ethical principles and virtues were not salient in his vision, any head of an organization can highlight ethical principles in his or her vision.[1] Having such an emphasis and a societal-transformational vision can both resonate with people whose interests go beyond organizational effectiveness. Such visions are fun. My focus here is on integrity in ethical leadership, whether virtues or ethical principles are salient in the vision. Of particular difficulty is determining whether integrity has ethical content or is merely consistency between word and action. I contend that if integrity is interpreted as only the consistency, the ethical leadership may not really be ethical.

The full essay is at "Integrity in Ethical Leadership."

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1. P. Madsen, “Managing Ethics,” Executive Excellence 7, no. 12 (1990): 11-12.

NASA and Its Contractors: The Challenger Disaster

Roger Boisjoly was a booster rocket engineer at a NASA contractor, Morton Thiokol. Boisjoly blew the whistle both within the company and to NASA regarding the danger of the rubber in the o-rings, which seal the connections in the shuttle’s rockets, being insufficiently elastic in cold weather. Although The Challenger Disaster (2019) is not a documentary, the film’s narrative, which centers on Roger, or "Adam," is oriented to understanding why the Challenger space shuttle exploded after being launched on January 28, 1986. In other words, although some names are different and the conversations are not verbatim in the film, the factors that contributed to the actual explosion are presented. In fact, the film leans too much on technical details before the disaster and legal arguments afterwards without adequate entertaining elements to make the film enjoyable. However, the film's political function in informing a mass market of why part of the government-business system was broken is valuable. In fact, this mission demonstrates that the medium of motion pictures is capable of aiding in social, political, economic, and religious awareness and education, and thus development.

The full essay is at "The Challenger Disaster."

The U.S. Government Spying on Americans: Was It Ethical?

In early June, 2013, while Barak Obama was still the U.S. president, Americans learned of the U.S. Government’s domestic surveillance program, under which the Verizon Business Network Services subsidiary had been turning over call logs “on an ongoing daily basis” to the National Security Agency[1] The order, signed by a judge on the Foreign Intelligence Surveillance Court in April of that year, was "lawful,” U.S. Senator Dianne Feinstein contended.[2] The program analyzed time and number logs that did not include the calls’ content. According to U.S. Senator Chambliss, “All of these numbers are basically ferreted out by a computer, but if there’s a number that matches a [suspicious] number that has been dialed . . . , then that may be flagged. And they may or may not seek a court order to go further on that particular instance. But that’s the only time that this information is ever used in any kind of substantive way.”[3] Harry Reid, Majority Leader in the U.S. Senate at the time, added that the phone-data program had “worked to prevent” terrorist attacks.[4] Does it make any difference. ethically speaking, that the program had helped stop a domestic attack? Shortly after The Guardian broke the story on Verizon’s subsidiary serving corporate customers, The Wall Street Journal reported, “[T]he initiative also encompasses phone-call data” from AT&T and Sprint, as well as from Verizon itself (i.e., beyond its business subsidiary).[5] Does this revelation on the vast scale of the program make any difference ethically? Moreover, does a positive collective consequence--or the lack of a negative harm to the public good--justify forays into the privacy of a vast number of individuals? 

Not surprisingly, privacy advocates were alarmed at the sheer scope of the program. Kate Martin of the Center for National Security Studies, a civil liberties advocacy group, said that “absent some explanation I haven’t thought of, this looks like the largest assault on privacy since the N.S.A. wiretapped Americans in clear violation of the law” under the Bush administration.[6] Her statement raises the question of whether the fact that the Obama administration had confined itself to court orders makes the program ethical.

Whereas the content of the phone conversations, including the parties’ names, were said to be not included in the trove of data turned over to the government, internet companies had been providing the contents of emails, online chats, Facebook accounts, Skype video calls, and web searches to the government as per court orders (i.e., not through direct access).[7] Does the inclusion of content make any difference, ethically speaking? Applying a few ethical theories may get us closer to some answers.

The analysis of the ethical theories is at "The U.S. Government Spying on Americans."

1. Charlie Savage and Edward Wyatt, “U.S. Is Secretly Collecting Records of Verizon Calls,” The New York Times, June 5, 2013.

2. Charlie Savage and Edward Wyatt, “U.S. Maintains Vast Database of Phone Calls, Lawmakers Say,” The New York Times, June 5, 2013.

3. Ibid.

4. Siobhan Gorman, Evan Perez, and Janet Hook, “U.S. Collects Vast Data Trove,” The Wall Street Journal, June 7, 2013.

5. Ibid.

6. Charlie Savage and Edward Wyatt, “U.S. Is Secretly Collecting Records of Verizon Calls,” The New York Times, June 5, 2013.

7. Siobhan Gorman, Evan Perez, and Janet Hook, “U.S. Collects Vast Data Trove,” The Wall Street Journal, June 7, 2013.

Business and Religion: Financial Ethics Found Lacking in the Vatican's Institute of Religious Works

In probing corruption leads in the Vatican Bank, Italian financial police stumbled onto a plot in July 2012 to smuggle €20 million into Italy. The alleged culprits included a monsignor, a financial broker, and a former member of Italy’s secret service. For his part, the cleric was said to have had people pretend to give him donations of €560,000 so he could furtively pay the financial broker for his role. Crime, Italian politics, and the Vatican Bank: hardly a novel discordant tune even then. That not just any bank, but that of a church, could stray so far from what would reasonably be expected from a bank whose formal name is the Institute of Religious Works still boggles the mind. Even so, the intersection of ethics, religion and business is fraught with complexity.  A religious verdict from ethical premises is possible nevertheless.

The full essay is at "Business Ethics in the Vatican."

Burn Baby Burn: Moral Hazard & Fairness

On a call with another of the company’s traders when a wildfire in California was putting some electric wires at risk, an energy-desk trader at Enron quipped, “Burn Baby Burn!”  The loss of the electricity wires would have decreased supply, thus jacking up the price of electricity, which Enron was only too glad to provide.  Similarly, “Burn Baby Burn!” can be put in the mouth of any one of the firefighters of the South Fulton fire department in Tennessee who watched Gene Cranick’s home burn to the ground because he had not paid the $75 annual fee that residents outside of city limits had to pay in order to receive the “service.”  When Cranick called 911 as his house was on fire, he was essentially told, “I’m sorry, sir, but you are not on the list for that service. Have a nice day.” 

The full essay is in Cases of Unethical Business: A Malignant Mentality of Mendacity, available at Amazon.com.