Valkyrie

Claus von Stauffenberg was a Nazi army officer who attempted unsuccessfully to assassinate Hitler at the Wolf’s Lair on July 20, 1944. Stauffenberg was shot the next day as a result. The Nazis did not surrender until May 7, 1945, a few months shy of a year later, so Stauffenberg’s intent to end the war would have made a substantial difference in terms of the number of dead and wounded from World War II in Europe. The 2008 film, Valkyrie, chronicles the story in the genre of historical fiction, even though Tom Cruise, Bill Nighy, Kenneth Branagh, and Tom Wilkinson play Nazi figures (without even German accents), although Tom Hollander does play a suspicious Nazi quite convincingly. Viewers could still be excused for approaching the film as a “Wagner meets Shakespeare in the Park” production. The film gets its title from the Valkyrie in Wagner’s opus: handmaidens of the gods. The sparce religious nomenclature in a few scenes of the film is easy to miss, and, I submit, the interlarding of religion is ill-suited to the political drama.

The full essay is at "Valkyrie."

Lolita

In being able to engage an audience both visually and audibly, and to do so at close range—something we don’t get from watching a play on a distant stage—the medium of film is capable of resonating with, challenging, and rebounding from both heart and mind. That is to say, the medium can engage us at a comparatively deep level and even touch us profoundly. The medium can tug at our ethical strings and even provoke uncomfortable thoughts and feelings precisely because sound and image can conjoin at close range such that we are brought closer to an ethical harm than is likely in our own daily experiences. Some ethical harms, such as that in a young woman not being able to stop a rape by an older man abusing a stark power differential, may simply be too horrific up close to experience even vicariously. A filmmaker can use devices, whether photographic, audio, or narrative, to moderate our exposure without sacrificing the depth at which the harm and its sordid scenario can reach in us. Such exposure to ethical problems or even to situations in which the ethical verdict is debatable can give to an audience a better realization of the ethical dimension of the human condition and improve our ability to render ethical judgements on specific issues and generally. Writ large, the medium of film can do these things for a society, reflecting and even provoking it with just enough directness to be palatable and grasped. The genre of science fiction in particular has been used to serve this purpose. Even by contrasting an original film with its remake decades later, a society’s changing nature can be glimpsed by an audience, especially as censorship guidelines are loosened as per changing social mores and ethical sensibilities of a society. The fictional film, Lolita (1962), and its remake, Lolita (1997), provide us with an excellent case study not only of changes in twentieth-century American society, but also of how powerful the medium of film can be in its treatment of the ethical dimension of the human condition.

The full essay is at "Lolita."

The Professor and the Madman

The film, The Professor and the Madman (2019), is based on the true story of James Murray, the editor of the first edition of the Oxford English Dictionary in the 19^th century, and William Minor, who contributed over 10,000 entries. Minor, who suffered from schizophrenia, was at the time a patient at Broadmoor Criminal Lunatic Asylum for having killed Jack Merrett under the recurrent delusion of being chased. In the film, this narrative serves as the basis to explore whether even people who think they are unredeemable can nevertheless be redeemed, and thus freed, from their own guilt.

The full essay is at "The Professor and the Madman."

In Pursuit of Money as God Incarnate

The film L’Argent (1983) is about how far people will go to get money (l’argent en francais). One major problem with greed is that people who are enthralled by it will go to virtually any length to get money. Even a religion can unconsciously warped to separate greed from earning and having wealth. Historically, Christian thought on greed and wealth has shifted from anti- to pro-wealth. Whether enabled by their religion or not, greedy people will think nothing of other people being hurt in the process. Hence, greed can be reckoned as selfishness incarnate. To claim that money is God not only puts a lower good above a higher one, but also manifests self-idolatry.

The full essay is at "L'Argent."