From Ground Zero: Stories from Gaza

The uniqueness of the film, From Ground Zero: Stories from Gaza (2024), goes well beyond it being a documentary that includes an animated short made by children and a puppet show. Footage of a Palestinian being pulled from the rubble twice—one with the head of his dead friend very close to him and the other with his account that he could see body parts of his parents near him—is nothing short of chilling. Perhaps less so, yet equally stunning, are the close-ups of the legs and arms of children on which their respective parents had written the names so the bodies could be identified after a bombing. That the kids had dreams in which they erased the black ink from their skin because they refused to fathom the eventuality of having to be identified is chilling in a way that goes beyond that which film can show visually. Moving pictures can indeed go beyond the visual in what film is capable of representing and communicating to an audience. The same can be said regarding the potential of film to bring issues not only in ethics, but also in political theory and theology to a mass audience.

The full essay is at "From Ground Zero."

The Wealth of 8 People and 3.6 Billion People: Utilitarianism Applied

As of the end of 2016, eight people held as much wealth as the 3.6 billion people who make up the world’s poorest half. Just a year earlier, a similar study had “found that the world’s richest 62 people had as much wealth as the bottom half of the population.”[1] Part of the difference in these findings is due to new data gathered by Credit Suisse. Put another way, the richest of the rich were richer than had been thought. In this essay, I want to call attention to the sheer magnitude of the wealth involved, as it pertains to the richest.

The full essay is at "Wealth of 8 People and 3.6 Billion People."

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[1] Gerry Mullany, “World’s 8 Richest Have as Much Wealth as Bottom Half of Global Population,” The New York Times, January 16, 2017.

Aimee & Jaguar

Aimee & Jaguar (1999) is a film based on a true story centering on Felice, a Jewish woman who lived in Berlin until 1944 and belonged to an underground lesbian, anti-Nazi (spying) organization. To be a Jewish lesbian in Nazi Germany cannot have been an easy life, with possible catastrophe just around the corner on any given day.  In the film, Felice becomes romantically involved with Lilly, a mother of four and wife to a Nazi solder who is fighting at the eastern front. The film is essentially a love story between the two women. I want to draw out some of the ethical issues raised in the film—with the love story serving as my critique of two ethical theories—utilitarianism and duty-based ethics—that are implied in the film.  

The full essay is at "Aimee & Jaguar."