Don't Look Up

The film, Don’t Look Up, is a most interesting film not only for how it relates science to political economy, but also in that images of wildlife—Nature, as it were—are interspersed throughout the movie, and it is Nature, rather than our circumscribed, petty, and yet economically successful species, that continues on after a large comet hits Earth and our species is wiped out. In fact, that impact-event in the movie cancels out the one that really happened 66 million years ago by returning dinosaurs to dominance. The last scene in the movie shows some of the political and economic elite waking up in their spaceship and landing on Earth more than 200,000 years in the future only to be eaten by dinosaurs that look "cute." two of those stupid people had been in charge both in the White House and in business before the comet hits, whereas the two principal astronomer-scientists who warn of the coming comet are repeatedly relegated and dismissed by the political and economic elite until the president realizes how she can use them politically—albeit just until the political winds turn again and comet-denial is more useful politically to the president. Does this sound familiar?  

The full essay is at "Don't Look Up."

Is the Hindu Bhagavadgita Monotheist?

Even though the Bhagavadgita is just a small part of the Mahabharata Hindu epic, the popularity of the former book in Hindu households has led to it being referred to as the Hindu Bible. This likeness should be taken at face value, for the contents in the Gita are very different than the theological context of the Bible, whether just the Torah, the Talmud, or the New Testament. Even though the virtue of kindness or love issuing out in compassion to other people is a shared descriptor of the Hindu Lord Krishna, which is the highest god in the Gita, and the Christian Lord Jesus, the ideational dissimilarities between the Gita and the Bible should not be glossed over. Put another way, not even the symbol of the mandala, which Joseph Campbell includes as the religious archetype of wholeness in The Power of Myth, should dispel the notion that religions contain unique and thus different philosophical and theological ideas and even just stances.

The full essay is at "Is the Hindu Bhagavadgita Monotheist?"

Presence

The medium of film has great potential in playing with ontology, the branch of philosophy that asks (and tries to answer) the fundamental question: What really exists?  Put another way, what does it mean for something to exist. The being of “to be,” as opposed to not-be may be thought of, can be labeled as existential ontology. Whereas in the Hindu Upanishads, being itself is Brahman, which pervades everything in the realm of appearance, the Abrahamic religions posit the existence of a deity that creates existence and thus is its condition or foundation. Creation ex nihilo (i.e., from nothing) is another way of grasping why the Abrahamic god is not existence, or being, itself, for that which brought (and sustains) existence into (and as) being cannot logically be existence itself. Fortunately for most viewers who lead normal lives, the film, Presence (2024), does not hinge on such abstractions; the salience of ontology, or what is real beyond our daily experiences (in the realm of appearance), is merely implied in there being an entity that intriguingly is only a presence. It is real to both the main characters in the film’s world and to viewers of the film because of the inclusion of supernatural effects that the entity is able to register in the perception of the family living in the house. Crucially, such effects do not overwhelm the subtlety in how the presence is known to exist (i.e., be real). In this way, Presence succeeds where Poltergeist (1982) and Ghost (1990) do not: Presence is more philosophically intriguing and thought-provoking than the latter two films, and is thus a better example of the potential that the medium of film has in engaging viewers in philosophy. Being less oriented to visually titilating supernatural effects, Presence can better engage the mind philosophically. 

The full essay is at "Presence."

Hinduism and Judaism on Deities and Transcendence

A basic tenet of the Advaita (non-dualist) Hindu philosophy of Shankara holds, “If saguna points to brahman’s immanence, nirguna points to brahman’s transcendence. . . . superiority should not be accorded to the nirguna mode of discourse.”[1] Being a non-dualist, Shankara held that brahman is one, since reality or existence is unitary, and thus brahman as existence and reality of all is indivisible ontologically. Applying David Hume’s separability thesis from An Enquiry Concerning Human Understanding, the distinction between nirguna and saguna can be understood as one made only by human reason, which does not mean that nirguna and saguna are separate entities. In short, we make the distinction; it does not belong to brahman itself. Lest it be thought that nirguna brahman has no analogue in Western philosophy of religion, we need only bring in Spinoza, whose nirguna-like God is so different from the saguna-comparable Abrahamic personal deity that both Judaism and Christianity banished his texts; Judaism excommunicated him. The tremendous qualitative difference between saguna and nirguna brahman can be useful to anyone trying to understand why Judaism excommunicated Spinoza, which is not my task here. Rather, taking nirguna brahman as reality or existence of everything, which, like Spinoza’s notion of God, itself has awareness, I want to stress both how much this differs in kind (i.e., qualitatively) from both Hindu deities and the Abrahamic deity, and the more fundamental point that brahman is One. In spite of the qualitative difference, keeping the Hindu concept of nirguna brahman in mind while thinking about the personal deities that are consistent with saguna brahman is useful.

The full essay is at "Hinduism and Judaism on Deities."

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1. Anantanand Rambachan, The Advaita Worldview: God, World, and Humanity (New York: State University of New York Press, 2006), p. 90.