1917

Roughly a century before 2019, when the film, 1917, was made, the Great War, or what would subsequently be renamed, World War I, was raging in Europe. Incredibly, soldiers had to live in dug-out trenches for years. It is no wonder that the war would bring the Spanish Flu to both Europe and America. In 2020, roughly a century after that flu, the coronavirus pandemic was occurring globally, yet without any war to have incubated that virus. By 2020, Europeans and Americans alike could not have imagined what life must have been like in the trenches. The film’s finest contribution, I submit, is in capturing that context, which in effect does a great deal of the story-telling. The film is thus a good illustration of the role that context can play in story-telling in an audio-visual medium such as film.

The full essay is at "1917."

The European Union at Risk: The German High Court Undercuts the European Court of Justice on the Role of the European Central Bank

If a dispute between an E.U. state and the European Central Bank (ECB) on one of its programmes could come to challenge the European Court of Justice (ECJ) itself and the very sustainability of the E.U.’s federal system, then that system itself could be said to be severely impaired, and thus facing a high risk of being destroyed.  Yet in the Judgment of the Second Senate of May 5, 2020, the constitutional court of Germany did exactly that in throwing out an earlier ruling of the E.U.’s supreme court (ECJ) on the legality under E.U. law of an ECB programme.[1]

(Source: Politico)

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1. BVerfG, Judgment of the Second Senate of 05 May 2020 – 2 BvR 859/15-, paras. (1-237).