Monti and Papadernos in the E.U.: Leadership in Technical Expertise or Democratic Deficit?

“The moment of truth has come.”[1] This was said by the head of state of the E.U.’s third largest state, Italy, in a televised address just after Berlusconi had resigned as the prime minister. Although the statement could be interpreted as referring to the need to reign in the Italian profligate system of public-sector patronage (which includes private contractors), Giorgio Napolitano could also have been referring to the credibility of his state at the E.U. level. “We need to restore confidence with investors and European institutions,” he continued before turning to the more tangible point that the state would need to refinance nearly 200 billion euros in government bonds before May, 2012.[2]

The full essay is at "Essays on the E.U. Political Economy," available at Amazon.

1. Alessandra Galloni and Christopher Emsden, “Italy’s Monti to Form New Government,” The Wall Street Journal, November 14, 2011.
2. Stephen Castle and Liz Alderman, “Under a New Prime Minister, Italy’s Star May Rise at the European Union,” The New York Times, November 23, 2011.

The Descendants

In the 2011 film, The Descendants, George Clooney plays a character who must wrestle with several trade-offs bearing on character itself. Both the acting and the screenwriting handle the task very well. It is a pity that the actor gets a near monopoly of the credit/attention, for the way the trade-offs are navigated by the screenwriter is vitally important—perhaps even more so than the acting.

The full essay is at "The Descendants."

Carnage

I was drawn to the film Carnage by the actors—specifically, Christoph Waltz and Kate Winslet, though Jody Foster and John Riley can certainly hold their own as established actors, and in fact have been in Hollywood far longer than Waltz and Winslet. The primary message of the film seems to be that making up may be more natural than the adults think. This is perhaps why the conflict between the adults doesn’t really get resolved—there being no sense of resolution. This is particularly noticeable because of how dramatically the emotions escalated—particularly in Foster’s character but with Winslet’s coming in a close second. In other words, the acting firepower was perhaps too much, given the actual matter of conflict—the boys’ fight in a city park.

The full essay is at "Carnage."

The African Customs Unions and the E.U.: On Currencies

The East African Community (EAC) is Africa’s “most advanced regional trade bloc,” according to the Wall Street Journal in 2011.[1] The EAC was already a customs union that guaranteed the movement of goods and the right to work across Kenya, Uganda, Rwanda, Burundi and Tanzania. The parliaments were working at the time on synchronizing immigration and tariff laws. “We want to develop this corridor vigorously and collectively,” Mugo Kibati, director of a Kenyan government program, said.[2] But the EAC and other trading blocs in Africa, such as the Southern African Development Community, were “backing away from one prominent aspect of Europe’s economic union: a common currency.”[3] Aside from any vague similarities that the fiscal differences between Greece and Germany may have to those between Zimbabwe and South Africa, the currency question itself is out of place for a NAFTA-like trade agreement.

The full essay is at "Essays on the E.U. Political Economy," available at Amazon.

1. Patrick McGroarty, “Africa’s Goal: EuropeWithout the Currency,” The Wall Street Journal, November 21, 2011.
2. Ibid.

3. Ibid.