Dominion: Prequel to the Exorcist

Decades before dying while doing battle with the demon possessing Regan NacNeil in The Exorcist (1973), Rev. Lankester Merrin successfully extracts the same demon from a young man in Kenya. An African chief (or medicine man) tells Merrin at the end of Dominion: The Prequel to the Exorcist (2005) that he has made a rather bad enemy of the demon, which was not done with the priest. We know from The Exorcist that the demon will eventually kill the priest, but that is by no means the final word on a distinctively religious battle because in that domain, the human soul is eternal rather than necessarily tethered to a corporeal body. It is important, moreover, not to reduce religion to one of its aspects, or, even worse, to the stuff of any other domain, including the supernatural. Dominion reduces Christianity to one belief-claim and relies on supernaturalism to validate the religious phenomena in the film.

The full essay is at "Dominion: Prequel to the Exorcist."

Devil’s Advocate

In the film, Devil’s Advocate (1997), human free-will plays a very important role. It has implications not only for whether humans tend to be good or evil, but also on how culpable God is for the evil that committed by humans. One of the devil’s sons by a mortal woman, Kevin Lomax, must choose whether or not to impregnate his half-sister, Christabella Andreoli, to produce the Anti-Christ, which John Milton, who is the devil, wants so much. In Christian theology, both the extent of free-will and how tainted it is from the Fall have been debated. Even within Augustine’s works, his thought changes. The one thing that cannot be asserted is that free-will both does and does not exist. Also, that so many greedy people have been so destructive of democracies and even the planet does not necessarily mean that God is responsible or that humans are not capable of choosing to do good over evil.

The full essay is at "Devil's Advocate."

Religious Liturgy and the Wholly Other

In the Zhuangzi, how can Zhuangzi possibly know that the fish are happy? To know what it is like to be a bat, a person must be a bat. This is not to say that we disagree with bats. Sonar represents the “sheer otherness” of a bat. In Christianity, how does eternal joy and bliss differ from happiness? Happiness is not a theological concept. There are different kinds of experience, and it follows that they have different kinds of truth-claims. To treat every such claim as the same kind of thing is premised on conflating domains of human experience that are qualitatively different. I contend that the domain of religion is both distinct and unique. Our ordinary ways of describing the world and even ourselves are not well-suited to our endeavors in the domain of religion.

The full essay is at "Religious Liturgy and the Wholly Other."

The Scarlet and the Black

In the film, The Scarlet and the Black (1983), Gregory Peck and Christopher Plummer face off as Monsignor Hugh O’Flaherty and Col. Herbert Kapper at the end of the film when the Nazi head of police in Rome abruptly changes his tune in challenging the Catholic priest no longer by threats, but by appealing to the priest’s faith of humble compassion applied even to one’s enemies so O’Flaherty will extend mercy to Kapper’s wife and children, who would otherwise fall into the hands of the Allied troops advancing into Rome. Before that dialogue, O’Flaherty and Pope Pius XII subtly debate whether the pope had been right in compromising with Hitler in order to keep the Catholic Church intact in Nazi Germany. The film can thus be viewed in light of the potential of the medium of film to convey and even thrash out contending theological ideas.

The full essay is at "The Scarlet and the Black."

Hope Gap

Organized or institutional religion as the Roman Catholic Church is in the background in the 2019 European film, Hope Gap. Even with such names as Grace and Angela, religious connotations are present. In fact, the film can be interpreted, at least in part, as a critique on religion in general and Catholicism in particular. The medium of film can indeed play a vital role in critiquing sacred cows from the vantagepoint of an oblique angle or a safe distance.

The full essay is at "Hope Gap."

The Seventh Sign

Carl Schultz’s film, The Seventh Sign (1988), centers on the theological motif of the Second Coming, the end of the world when God’s divine Son, Jesus, returns to judge the living and even the dead. In the movie, Jesus returns as the wrath of the Father, which has already judged humanity as having been too sinful to escape God’s wrath. David Bannon, who is the returned Jesus in the film, is there to break the seven seals of the signs leading up to the end of the world, and to witness the end of humanity. Abby Quinn, the pregnant wife of Russell Quinn, asks David (an interesting name-choice, given that Jesus is of the House of David in the Gospel narratives) whether the chain (of signs) can be broken. How this question plays out in the film’s denouement is interesting from a theological standpoint. Less explicit, but no less theologically interesting, is what role humans can and should have in implementing God’s law. The film both heroizes and castigates our species.

The full essay is at "The Seventh Sign."

Transcending Seductive Masks of Eternity: Thérèse of Lisieux

Marie Martin (1873-1897), known to the world as the Carmelite nun, Thérèse of Lisieux as well as Thérèse of the Child Jesus and the Holy Face, was a mystic who centered her devotional love on Jesus. Pope Pius X called her “the greatest saint of modern times”[1] and Pope John Paul Il made her a doctor of the Roman Catholic Church. Nevertheless, it is worth investigating whether her devotional love sublimated (i.e., looking upward) with Jesus as the object of the love was in fact humble, and thus more like divine than human love. Although psychological analyses of Thérèse exist in the secondary literature on her, we can both acknowledge her psychological challenges and put psychological couch aside as it is exogenous to the domain of religion, which has its own criteria; I will focus on and critique from a religious standpoing the distinctly religious meaning that Thérèse continues to provide in the West during the twenty-first century even though the wider secular culture in the West saturates modernity under the supervision of the tall, steel, and bewindowed edifices to wealth and worldly power.

The full essay is at "Transcending Seductive Masks of Eternity."

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1. Pierre Descouvemont, Therese and Lisieux (Grand Rapids, MI: William B. Eerdman’s Publishing, 1996).

Hindu Mysticism: Transcending Deities

In his religiosity, Ramakrishna (1836-1885), a Hindu mystic and priest at a temple of the goddess Kali, the goddess of death, drew on the Bhakti (devotee), (Advaita) Vedanta, and Tantra aspects of Hinduism, as well as on Islam and Christianity to a much lesser extent, toward his goal of realizing God, which can also be put in terms of achieving self-knowledge of one’s true nature (atman). In the Bhavagad-Gita, Arjuna demands to see the god Krishna as he really is, but Krishna has to hold himself back, showing himself in (human) bodily form, albeit with a myriad of heads. Even a distended form such as this is too much for Arjuna. Moreover, ignorance cannot take in reality or awareness itself without it being adorned in anthropomorphic (i.e., having human characteristics) ornaments that Hume discusses in his Natural History of Religion. Krishna’s promise in the Gita is relevant, in “that, through His Maya, He will assume a human body and manifest His powers whenever religion declines, and will help [people] to obtain peace.”[1] It is through illusion that a deity assumes the likeness of a human form because seeing a deity’s essence in Brahman is simply too much for mere mortals.

The full essay is at "Hindu Mysticism: Ramakrishna."

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1.  Swami Saradananda, Sri Ramakrishna: The Great Master, Jagadananda, trans. (Madras, IN: Sri Ramakrishna Math Mylapore, 1952), p. 16.

Love as God Loves Us: Embodying Inconvenient Compassion

I contend that compassion is an automatic byproduct of having shut out the outside world for a time to experience transcendence in its religious sense (i.e., reaching beyond the limits of human conception, perception, and emotion). Such experience as prayer, for example, or meditation can result in a heightened sensitivity in perceiving the world, including things and other people who are in proximity. Such sensitivity where other people are being perceived can illicit compassion to them. It is the bracketing experience itself, away from our daily life, rather than what is being prayed about or meditated on that triggers the generalized sensitivity and thus the enhanced readiness or inclination to feel compassion where it applies. I submit furthermore that with some beliefs regarding how God in the Abrahamic religions views us creatures in Creation, we mere mortals can assume to some degree the perspective that, given how God is depicted in scriptures, God would or does have in watching us in our own little worlds.

The full essay is at "Love as God Loves Us."

On Lord Krishna’s Self-Revealing in Hinduism’s Bhagavad-Gita

Even as much as divine entities reveal themselves to particular human beings, our finiteness cannot completely perceive or know such an entity as it really exists. Created as limited beings with limited perception and far from perfect knowledge, it is impossible for a deity’s self-revelation to be received by us mere mortals in its totality because we are not gods. Even if a divine eye were made available to us, as Lord Krishna does for Arjuna in the Hindu mythic tale, the Bhagavad Gita, our minds are finite and subjective rather than unlimited and objectively able to comprehend reality in itself.[1] Before discussing the Gita, I want to draw on a bhukti (devotional) poem very briefly to demonstrate that human perception and knowledge of the divine in the form of a personal deity only goes so far relative to a deity both not only in regard to it going beyond its form (or forms), but also just in terms of being able to grasp the form (or forms) in its completeness.

The full essay is at "Krishna in Hinduism's Bhagavad-Gita."

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1. Kant uses the expression, “things in themselves,” in contrast to appearances. Shankara also distinguishes reality from appearances.

On God’s Holiness and Mystery in Judaism

In The Natural History of Religion, David Hume claims that the human mind has difficulty holding on to the pure (i.e., unencumbered) idea of divine simplicity, and thus tends to apply familiar (i.e., human) attributes or qualities onto that idea (i.e., anthropomorphism), as if hanging ornaments on a naked Christmas tree. Eclipsed or compromised, or even lost entirely, is the quality of God being wholly other, and thus being qualitatively different than us and anything in our world. The Christian theologian Dionysius grasped this idea in his claim that God goes beyond the limits of human conception, perception, and sensibility (i.e., human emotions). The Biblical claim in the Book of Job that God is angry with Job’s “friends” for making statements about God’s ways without knowing them can be analyzed with an eye towards both viewing anger as only going so far with respect to God and being critical of the “friends’” presumption in assuming that God’s ways are within the limits of human cognition (i.e., theories). Rather than go to a negative theology wherein God is thought to be ineffable, I want to stress the value of recognizing both distance and mystery as being indispensable with respect to our relation to God lest we reduce God to our various masks of eternity.

The full essay is at "Holiness and  Mystery of God in Judaism."

Hinduism and Judaism on Deities and Transcendence

A basic tenet of the Advaita (non-dualist) Hindu philosophy of Shankara holds, “If saguna points to brahman’s immanence, nirguna points to brahman’s transcendence. . . . superiority should not be accorded to the nirguna mode of discourse.”[1] Being a non-dualist, Shankara held that brahman is one, since reality or existence is unitary, and thus brahman as existence and reality of all is indivisible ontologically. Applying David Hume’s separability thesis from An Enquiry Concerning Human Understanding, the distinction between nirguna and saguna can be understood as one made only by human reason, which does not mean that nirguna and saguna are separate entities. In short, we make the distinction; it does not belong to brahman itself. Lest it be thought that nirguna brahman has no analogue in Western philosophy of religion, we need only bring in Spinoza, whose nirguna-like God is so different from the saguna-comparable Abrahamic personal deity that both Judaism and Christianity banished his texts; Judaism excommunicated him. The tremendous qualitative difference between saguna and nirguna brahman can be useful to anyone trying to understand why Judaism excommunicated Spinoza, which is not my task here. Rather, taking nirguna brahman as reality or existence of everything, which, like Spinoza’s notion of God, itself has awareness, I want to stress both how much this differs in kind (i.e., qualitatively) from both Hindu deities and the Abrahamic deity, and the more fundamental point that brahman is One. In spite of the qualitative difference, keeping the Hindu concept of nirguna brahman in mind while thinking about the personal deities that are consistent with saguna brahman is useful.

The full essay is at "Hinduism and Judaism on Deities."

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1. Anantanand Rambachan, The Advaita Worldview: God, World, and Humanity (New York: State University of New York Press, 2006), p. 90.

Religious Transcendence

I contend that the core of religion is its quality of transcendence beyond the limits of human thought, perception, and emotion. This is not to say that nothing may be said of the divine, but that the stuff of our realm does not exhaust the mystery. We can’t have God utterly figured out, for it would be impious of creatures of finite knowledge to presume such knowledge that would fill up the dark hole of absolute mystery. I turn to the Christian theologian, Karl Rahner, and to the Hindu Rigveda to support this point, which is valid, I submit, for anything that is (or can be counted as) a religion.

The full essay is at "Religious Transcendence." 

Bladerunner

In 1982, when Bladerunner was released, 2019 could only have been a blink of an eye in people’s thoughts. Even the year 2001, the year in which the movie 2001: A Space Odessey (1968) takes place, must have seemed far off. Of course, the actual year was not so futuristic as to have a computer take over a space station; controversy over AI eclipsing the grasp of human control would not hit the societal mainstream for twenty years.  So, Ridley Scott can hardly be blamed for positing flying cars, and, even more astonishing, imposing the notion of a replicant, a being of genetic biomechanics that fuses computer and human characteristics, on 2019. Even acknowledging the tremendous impacts on society of inventions since the dawn of the twentieth century, the pace of technological change is slower than we imagine. In 2019, on the cusp of a global pandemic, flying (and self-driving) cars were just in the prototype/testing phase, and AI existed rudimentarily, and certainly not corporeally in human form. Scott missed the mark, probably by decades, though he got the trajectory right. Indeed, the film’s central issue—that of the threat of run-away, or “rebellious,” AI to humans—was reflected in the press especially during the first half of 2023. I contend, however, that the philosophical merit of the film lies not in political theory, but, rather, in what it means to be human. The nature of human understanding, self-awareness, an ethical sense, and matters of theological reflection are all brought to the forefront in the question of whether the replicants can and should be taken as human beings. In other words, it is the fusion of AI, or computers more generally, and biology that lies at the core of the film.

The full essay is at "Bladerunner."

The Fire in Notre Dame Cathedral during Holy Week: Divine Retribution?

Just in terms of how the business and political elites reacted to the fire at Notre Dame Cathedral in Paris, the want of a distinctly religious explanation reflected the hegemony of the secular culture in the E.U. at the time. How the incident, which occurred on April 15, 2019, might fit into an established religious narrative was largely ignored, at least by the media reporting on the fire and its aftermath. Instead, the focus was on the impact on French politics and the donations being made to repair the damage. In particular, the matter of billionaires donating a hundred or two hundred euros fueled a debate on the morality of giving so much when giving to the poor could ease economic inequality, rather than on the religious legitimacy of being rich even with the good use in rebuilding a cathedral. The media at least was silent on the question of whether God had exacted divine retribution against the Roman Catholic Church for having pedophile priests and high-ranked clerics covering them up to safeguard the reputation of the universal Church. That the fire occurred during Holy Week makes the lack of any application of the faith narratives particularly striking, for what if a fire in a gem of the Roman Catholic Church during Holy Week was aimed at getting the attention of the clergy and laity?

The full essay is at "The Fire at Notre Dame Cathedral."

In Pursuit of Money as God Incarnate

The film L’Argent (1983) is about how far people will go to get money (l’argent en francais). One major problem with greed is that people who are enthralled by it will go to virtually any length to get money. Even a religion can unconsciously warped to separate greed from earning and having wealth. Historically, Christian thought on greed and wealth has shifted from anti- to pro-wealth. Whether enabled by their religion or not, greedy people will think nothing of other people being hurt in the process. Hence, greed can be reckoned as selfishness incarnate. To claim that money is God not only puts a lower good above a higher one, but also manifests self-idolatry.

The full essay is at "L'Argent."

Transcending Limited Notions of the Divine

When religion meets human nature, does the gravitational pull of me, me, me tend to encompass the journey downward in an all too comfortable direction? In his Natural History of Religion, David Hume proposes his theory that any religion begins with a focus on something akin to divine simplicity, but then becomes increasingly robed with anthropomorphic artifacts until the sheer weight of which brings down the tree whose inherently upward-looking striving succumbs to the increasing weight of the human.

In other words, is religion too weak to withstand the human, all too human ornaments that we conveniently adorn of our religions? The ornaments ultimate reflect ourselves, and thus are so convenient. So too is surrounding ourselves with others of like beliefs a matter of convenience. That is, religion can unwittingly become all about the self. Such religions or sects thereof can get sucked into a regular orbit of convenience without any of the congregants noticing the gradual and subtle slide.

The full essay is at "Transcending Limited Notions of the Divine."

The Seminarian

A closeted gay student at an evangelical seminary is a contrast with a rather obvious clashing point, with the predicted ending being that the student is kicked out and must find or come into his own identity free of exterior constraints. Yet The Seminarian (2010) smartly avoids that road well-traveled. Instead, the screenwriter risks giving theology a prominent, and perhaps even central place in the film. The venture is at odds with the bottom-feeder mentality of Hollywood represented in the film, De-Lovely (2004), in which Cole Porter’s bisexuality occupies center-stage. Comparing these two films, irony drips off the screen as De-Lovely, which is patterned after a theatrical musical, looks down on Hollywood and yet has a common theme, while The Seminarian is a film through and through and yet takes the high road by supposing that the viewers can and will stay through some substantive theology, which transcends social issues and even the dramatic.

The full essay is at "The Seminarian."

Religion as Metaphysics: A Category Mistake

The claim that God is real, or even that God's existence is reality, is problematic chiefly because it incurs the category mistake of treating religion as through it were metaphysics. Rather than being an atheistic argument, obviating the mistake privileges God's radical transcendence.

The full essay is at "Religion as Metaphysics."

Related: Spiritual Leadership in Business: Transcending the Ethical, a short book that is available at Amazon in print and as an ebook.

Realive: A Film About Extending Life Absent God

In 2016, Robert McIntyre, a graduate of MIT, became the first person to freeze and then revive a mammalian brain—that of a white rabbit. “When thawed, the rabbit’s brain was found to have all of its synapse, cell membranes, and intracellular structures intact.”[1] The film, Realive, made that same year, is a fictional story about a man with terminal cancer who commits suicide to be frozen and revived when his illness could be cured. In the context of McIntyre’s scientific work, the film’s sci-fi demeanor belies the very real possibility that cryogenics could realistically alter fundamental assumptions about life and death even just later in the same century. What the film says about the life and death is timeless, however, in terms of philosophical value.

The full essay is at "Realive."

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1. Candace Sutton, “Human Bodies Frozen in Desert Facility Waiting for Science to Wake them Up,” News.com.au.