Conservatism in the Quorum of the Twelve Apostles

The Quorum is a high-level governing body in the Church of Jesus Christ of Latter-day Saints. The Quorum “helps set church policy while overseeing the many business interests of what is known widely as the Mormon Church.”[1] On December 27, 2025, Jeffrey R. Holland, “a high-ranking official . . . who was next in line to become the faith’s president,” died.[2] He was 85. To be at that age and yet next in line to lead a major Christian denomination is a sign of just how tilted toward the elderly the leadership of that Church was at the time. Almost exactly three months earlier, Russell M. Nelson, the then-sitting president of the denomination, died at the age of 101. Dallin H. Oaks, at the age of 93, became the next president. These ages make 75, the mandatory retirement age for Roman Catholic bishops, look young, though Pope John Paul II died at 84 and Pope Francis died at 88—both men while in office. Especially in Christianity, whose Gospels depict Jesus and his disciples as much younger men, the question of whether an aged leadership unduly foists conservatism on what in the Gospels is characterized as a radical religious movement.

The full essay is at "Conservatism in the Quorum of the Twelve Apostles."

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1. CBS News, “Jeffrey R. Holland, Next in Line to Lead Church of Jesus Christ of Latter-Day Saints, Dies at 85,” CBSnews.com, December 27, 2025.
2. Ibid.

The Scarlet and the Black

In the film, The Scarlet and the Black (1983), Gregory Peck and Christopher Plummer face off as Monsignor Hugh O’Flaherty and Col. Herbert Kapper at the end of the film when the Nazi head of police in Rome abruptly changes his tune in challenging the Catholic priest no longer by threats, but by appealing to the priest’s faith of humble compassion applied even to one’s enemies so O’Flaherty will extend mercy to Kapper’s wife and children, who would otherwise fall into the hands of the Allied troops advancing into Rome. Before that dialogue, O’Flaherty and Pope Pius XII subtly debate whether the pope had been right in compromising with Hitler in order to keep the Catholic Church intact in Nazi Germany. The film can thus be viewed in light of the potential of the medium of film to convey and even thrash out contending theological ideas.

The full essay is at "The Scarlet and the Black."

Pope Leo’s First Christmas Message: On International Relations

That severe, systematic inflictions of suffering on whole peoples were going on in the world even on Christmas Day in 2025 did not require a papal announcement for people the world over to be informed of those atrocities. Russia’s military incursion in Ukraine and Israel’s genocide in Gaza had been going on with international impunity for years. The suffering in Yemen and Sudan was less well-known, but substantial nonetheless. Speaking out against the sordid state-aggressors on the first Christmas of his pontificate, the pope provided an alternative basis for international relations that is so antithetical to military invasion and genocide that the message could seem utopian and thus practically of no use whatsoever. Because “might makes right” had made such unimpeded “progress” even in becoming the default and status-quo, the principle of humble compassion to the humanity to one’s detractors and even outright enemies could seem like a fairy tale. 

The full essay is at "Pope Leo's First Christmas Message."

On the E.U.’s “Pragmatic” Federalism

It is ironic that even though European political theorists, including Immanuel Kant, Johannes Althusius, and Kenneth Wheare, made substantial contributions on the topic of federalism, even political leaders in the E.U. as late as 2025 were stumbling over the basics, getting the very concept wrong. Unfortunately, that has caused journalists to trip and fall too, leaving E.U. citizens grappling over the apparent problem of being citizens both of their state and the E.U. even though, according to former European Central Bank President Mario Draghi spoke in 2025 in favor of “’pragmatic federalism’ as the political conditions for a true, federal union do not exist in the E.U. at the moment.”[1] The claims that “pragmatic federalism” is somehow not indicative of “true” federalism, and, moreover, that somehow the E.U. has states that are semi-sovereign (as the E.U. itself has exclusive competences) and yet federalism does not apply are patently absurd. Draghi was confusing the politics of the moment, in which the anti-federalist, Euroskeptic ideology was still too powerful for more governmental sovereignty to be moved to the federal level from the states, with whether the E.U. had a federal system already. In other words, “political conditions” are distinct from whether the E.U. has a federal system of public governance. Draghi’s assertion is all the more astounding not only because of his governmental experience at the federal level, but also because the dual-sovereignty (of the states and the Union) means that the E.U. fits within the category of modern federalism rather than confederalism (using Wheare’s terminology). Europeans have quite understandably been confused in trying to classify the E.U. away from the pull of the anti-federalist ideology in Europe.

The full essay is at "On the E.U.'s 'Pragmatic' Federalism."

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1. Sandor Zsiros, “The EU Wants to End the Era of National Vetoes—But It’s Complicated,” Euronews.com, 23 December, 2025.

Spotlight

The medium of film can treat organizational, societal, and global ethical problems either from one standpoint, which is appropriate if the assignment of blame for immoral conduct is clear (e.g., the Nazis), or by presenting both sides of an argument so to prompt the viewers to think about the ethically complex problem. This second approach is useful if it is not clear whether a character or a given conduct is unethical. When it is obvious which characters or actions are unethical, a film can still stimulate ethical reasoning and judgment by drawing attention to unethical systems as distinct from individuals and their respective conduct in the film. The film, Spotlight (2015), which is a true story, takes the position that Roman Catholic priests who molested and raped children in the Boston Archdiocese in Massachusetts behaved ethically. The dramatic tension in the film is set up when the chief editor of the Boston Globe, Liev Schreiber, tells the paper’s investigative “spotlight” managers that the story will not go to press until the system that enabled Cardinal Law and others to cover up many child-rapist priests by transferring them to other parishes is investigated. “We’re going after the system,” Liev says in keeping the story under wraps until the entire informal system that has enabled the rapists to continue to lead parishes.  

The full essay is at "Spotlight."