Rainbow

Rainbow (1944) is a Soviet patriotic propaganda film about the brutal Nazi-German occupation of a village in Ukraine. Filmed in 1943 while Ukraine was still occupied, the film was shot in the U.S.S.R. in central Asia rather than in Ukraine. The plot centers on the efforts of Nazi captain Kurt Werner to get a resistance (partisan) fighter to reveal where her group was heading. The woman is stark (strong), for she does not budge even as the Germans torture her both mentally and physically. I contend that the film pivots on a few lines spoken by an old Russian man in the village on the nature of power itself. Those lines stand out for being the only philosophical abstractions in the dialogue of the film. The film is about the nature of power. 

The full essay is at Rainbow.

Saudi Arabia Going After Dissenters Abroad: On the Egregiousness of Concentrated Power

After having been selected by his father as the crown prince, Mohammed bin Salman of Saudi Arabia “authorized a secret campaign to silence dissenters—which included the surveillance, kidnapping, detention and torture  of Saudi citizen—over a year before the killing of Jamal Khashoggi, according to American officials” with access to the classified reports.[1] The killers of Khashoggi had been involved in at least 12 other such operations starting in 2017. The sheer egregiousness of the operation under the crown prince says something about not only dictatorship, but also the nature of power itself.

The full essay is at "The Warping Effects of Concentrated Power on a Saudi Crown Prince."

Dictatorship or Democracy: Is Either Hospitable to the Kingdom of God?

Religion and political power can be dangerous if combined and aimed at people deemed to be apostate or heretical. In calling for the Crusades, our Roman Catholic popes put their political power behind the theocratic and political goal of taking back Jerusalem and Constantinople/Istanbul “for Christ.” Those popes and the kings and soldiers who went to war with the Muslims there wittingly or unwittingly violated Jesus’s preachment to love rather than fight enemies. Christianity and political power have not mixed well, historically. The U.S. Constitution forbids the federal government and, presumably, the states, to establish or sponsor a religion or even favor one. Theocracies, such as those in the Calvinist colonies in New England (except for Rhode Island, which allowed freedom of religion), would be excluded as a political form for the Union as well as its member-states. Rather than meaning “sub-unit” or “province” as in Normandy in the E.U. state of France, the American Continental Congress has applied “state” in the generic sense of a polity with a yet-to-be-determined political system. Hence while the Articles of Confederation were in force, before the U.S. Constitution, the states could legally form theocracies. The film, The President (2014), is fictional, but this doesn’t stop its portrayal of a toppled president in hiding from looking realistic, given the cases of Muammar Gaddafi in Libya and Saddam Hussein in Iraq. The character arc of the president while he is in hiding, or “on the run,” captures a generally unknown way in which Jesus’ preaching on how to enter the unknown Kingdom of God can apply to political power in a good way. This is not to advocate theocracy, however. Rather, individuals who wield power, whether in government or business, can come to see the very nature of power differently and gain new insight into the Kingdom of God preached by Jesus.

The full essay is at "The President."