Showing posts with label ontology. Show all posts
Showing posts with label ontology. Show all posts

Friday, September 11, 2026

Equals

The film, Equals (2015), presents a fictional story in which people in “the collective” are deemed healthy by the health and safety “police-state” as long as emotions are not detected. Being healthy is predicated on the assumption that emotion just gets in the way, not only of work, but in life more generally. To be sure, they can indeed be difficult for people who have suffered severe psychological and/or physical abuse, or have lost a loved one whether by a death or outright rejection. In the film, Silas voluntarily submits to a cure to the illness of having emotions coming through consciousness because he has been told that Nia, the woman whom he has fallen in love with, has just died. In a modification of Shakespeare’s play, Romeo and Juliet, Silas does not commit suicide; instead, he gets the injection because the emotional pain of having lost his loved one is simply too much. Anyone who has fallen in love only to be rejected would be tempted to have emotion itself blocked rather than to go on feeling. As a testament to just how deep love is as an emotion, Silas still feels something for Nia even after the injection as the couple travel on a train to escape from the totalitarian collective. He reaches out to put one of his hands on one of hers. Deep inside, he is fighting the “cure.” In actuality, the cure is the disease, foisted by an authoritarian collective on individuals.


The full essay is at "Equals."

Tuesday, October 14, 2025

Passengers

In line with the films, The Sixth Sense (1999) and The Others (2001), Passengers (2008) centers on the (hypothetical) question of whether the walking dead have to be convinced that they are indeed dead rather than still living. In all of those films, and even Ghost (1990), the dead who stick around as ghosts rather than immediately pass on to another realm have something to come to terms with, or work out. The astute viewer of these films is apt to wonder whether in the story-worlds of the films, as well as in real life, all that is going on is really just in the dying brain of the dead person, which is the case in Jacob’s Ladder (1990). We know that a dying brain secretes a hallucinatory hormone. As for whether there is even an actual afterlife, such a question is still beyond our reach, at least before death. I contend that Passengers hinges on whether the entire movie takes place in Claire’s mind. The answer hinges on the nature of the existence of the other characters who are dead. If they have their own agendas rather than are around to help Claire come to terms with the fact that she is actually dead—that she was on the plane that crashed with no survivors—then the film posits the existence of ghosts in our world rather than just in dying brains. The issue, in short, is existential and metaphysical.


The full essay is at "Passengers."



Sunday, September 28, 2025

On Arjuna's Vision of Krishna in the Bhagavad-Gita

In chapter 11 of the Bhagavad-Gita, Krishna reveals his real form to Arjuna. The chapter seems like a departure from the surrounding chapters, which focus on bhukti (i.e., devotion to Krishna). For example, in chapter 9, Krishna gives Arjuna the following imperative: “Always think of Me and become my devotee.” Unlike seeing the deity as he really is, sincere devotion to that which is based beyond the limits of human cognition, perception, and emotion is possible without being given “divine eyes.” The metaphysically, ontologically real is an attention-getter in the text, but it is the devotion, or bhukti, that is more important from a practical standpoint. Even theologically, the experience of transcendence, of which the human brain is capable, can be said to be more important than “seeing” divinity as it really is because the latter, unlike the former, lies beyond our grasp. In fact, seeing Krishna as he really exists is not necessary, for in chapter 10, Krishna says, “Here are some ways you can recognize and think of Me in the things around you [in the world].” This is yet another reason why the devotion rather than seeing Krishna as he really is, ontologically, should be the attention-getter in the Gita.


The full essay is at "On Arjuna's Vision of Krishna."

Sunday, August 10, 2025

Arjuna’s Vision of Krishna: On the Edge of Transcendence

In reading the Bhagavad-Gita from chapter four on, it may be tempting to collapse all of Hinduism into a monotheism in which Lord Krishna is God. Even in the context of bhukti being directed exclusively to Krishna, other deities are alluded to in the text. To claim that those other deities came out of Krishna, and even that Krishna surpasses even Brahman, which is infinite being that is imperishable awareness, thought (but not mind), power, and bliss, in terms of ultimacy does not mean that the Gita is a monotheist scriptural faith-narrative. Not even Krishna’s unmanifest form by which the deity’s creative energy gives rise to the cosmos transcends form itself, and thus reaches the unmanifest and formless Brahman. To be sure, that Krishna, as the Supreme Person metaphysically and ontologically, is ultimately Self renders the deity identical to brahman, but this does not mean that Krishna transcends brahman. Regardless of where the Krishna-Brahman debate lands, and there are admittedly shlokas in the Gita that support the ultimacy of Krishna and shlokas that favor the ultimacy of Brahman, Krishna need not be more ultimate than Brahman for a devotee of the deity to be able to experience a lot of transcendence from ordinary experience. In fact, because either referent that is the Absolute lies beyond the limits of human cognition, perception, and sensibility (emotion), according to the Christian theologian Pseudo-Dionysius, the human experience of distinctly religious transcendence is where our attention can fruitfully be directed. This is not to say that a referent (i.e., a divine, transcendent object) is thereby relegated or even discarded in favor of the quality of experience as its own referent. Rather, it is to say that we can know a lot more than we do about distinctly religious, and thus transcending, experience, and that such knowledge is part of the human condition—part of being human as homo religios as distinct from being a political, economic, and social species. First I investigate the question of whether the Gita is monotheist, after which I argue that Arjuna’s vision of Krishna in chapter 11 of the Gita is can be viewed as the “event horizon” of sorts in terms of how much we can transcend as we approach the limits of our faculties.


The full essay is at "Arjuna's Vision of Krishna."

Thursday, August 7, 2025

Sikh Ethics on Netanyahu

Israeli state officials met on August 7, 2025 to debate Prime Minister Netanyahu’s plan to expand the presence of the IDF, Israel’s military, to include all of the territory in Gaza, which had been under Israeli occupation anyway for many decades. With Gaza already under Israeli occupation, characterizing Netanyahu’s plan as being “to conquer all or parts of Gaza not yet under Israeli control” is strange.[1] Similarly, mischaracterizing the E.U. as a bloc even though that union has the three branches of government: executive, legislative, and judicial is odd. The media’s artful way of reporting is without doubt superficial relative to Netanyahu’s unvirtuous decisions and their respective consequences to which the labels of genocide and holocaust have justifiably been applied around the world. Behind the relevant vice lies an extreme egocentricity that the ethical theory of Sikhism describes quite well, even to the level of ontology or metaphysics.


The full essay is at "Sikh Ethics on Netanyahu."


1. Gavin Blackburn, “Israel’s Security Cabinet Debates Expanding Gaza Operation Despite Opposition,” Euronews.com, August 7, 2025.

Friday, March 28, 2025

On Absolute Truth in Hinduism: Impersonal Energy or a Supreme Person?

At Harvard’s Bhakti Yoga Conference in 2025, a man whose Hindu name is Kaustubha spoke on the three phases of ultimate truth: Brahman, Paramatma, and Bhagavan. Is the absolute truth an energy or a person? Is God a non-personal energy or a person. In Vedanta Hinduism, this is a salient question. According to Kaustubha, absolute truth is that which is not dependent on anything else; a truth from which everything else comes. Kaustubha defined Brahman as being impersonal energy, which is that from which everything else manifests. The Upanishads emphasize the realization by a person that one’s true self is identical to the impersonal energy of being itself that is infinite, aware, powerful, and blissful.  Although the Bhagavad-Gita can be interpreted thusly, as per Shankara’s commentary, but also as Krishna being the Supreme Person, which is more ultimate than Brahman. What gives? Who, or what, is on top in terms of ontological ultimacy (i.e., ultimately real)?


The full essay is at "On Absolute Truth in Hinduism."

Saturday, March 22, 2025

Interpreting Scriptures: On Referential Realities beyond the Text

In Christianity, Paul wrote that if the resurrection of Christ Jesus didn’t really take place, then faith is for naught, but he also wrote that faith without love is for naught. The assumption that if Jesus was killed and raised historically speaking, why be a Christian, has had much greater currency than the assumption that if a person is not kind and compassion in heart and deed to people who have been insulting or have damaged the person, that person is not really a Christian. In short, the value of the religious meaning in the New Testament has typically been assumed to depend on the extratextual (i.e., beyond the text of the Bible) existence of Jesus. Using Vedanta hermeneutics (i.e., method of interpreting a text) in Hinduism, I argue that the assumption is incorrect. This is not to make a historical claim one way or the other regarding Jesus or Krishna; rather, I want to claim that the religious meaning in a scriptural text does not depend on making the assumption that the reality described therein exists beyond the text. Although hermeneutically based, this argument may sway attention back to religious meaning itself as primary, including in regard to engaging in pious actions.


The full essay is at "Interpreting Scriptures."

On Hindu Metaphysics

At Harvard’s Bhukti Yoga Conference in 2025, Anuttama spoke on metaphysics as a spiritual reality. He argued that the nature of that reality is a personality—that of the Hindu god Krishna. I contend that Vaishnavism also contains an alternative depiction of reality, which is impersonal rather than a deity. The difference may come down to whether compassion or being that is conscious, infinite, and blissful is primary.


The full essay is at "On Hindu Metaphysics."

Wednesday, January 29, 2025

Presence

The medium of film has great potential in playing with ontology, the branch of philosophy that asks (and tries to answer) the fundamental question: What really exists?  Put another way, what does it mean for something to exist. The being of “to be,” as opposed to not-be may be thought of, can be labeled as existential ontology. Whereas in the Hindu Upanishads, being itself is Brahman, which pervades everything in the realm of appearance, the Abrahamic religions posit the existence of a deity that creates existence and thus is its condition or foundation. Creation ex nihilo (i.e., from nothing) is another way of grasping why the Abrahamic god is not existence, or being, itself, for that which brought (and sustains) existence into (and as) being cannot logically be existence itself. Fortunately for most viewers who lead normal lives, the film, Presence (2024), does not hinge on such abstractions; the salience of ontology, or what is real beyond our daily experiences (in the realm of appearance), is merely implied in there being an entity that intriguingly is only a presence. It is real to both the main characters in the film’s world and to viewers of the film because of the inclusion of supernatural effects that the entity is able to register in the perception of the family living in the house. Crucially, such effects do not overwhelm the subtlety in how the presence is known to exist (i.e., be real). In this way, Presence succeeds where Poltergeist (1982) and Ghost (1990) do not: Presence is more philosophically intriguing and thought-provoking than the latter two films, and is thus a better example of the potential that the medium of film has in engaging viewers in philosophy. Being less oriented to visually titilating supernatural effects, Presence can better engage the mind philosophically. 


The full essay is at "Presence."

Wednesday, October 9, 2024

On Lord Krishna’s Self-Revealing in Hinduism’s Bhagavad-Gita

Even as much as divine entities reveal themselves to particular human beings, our finiteness cannot completely perceive or know such an entity as it really exists. Created as limited beings with limited perception and far from perfect knowledge, it is impossible for a deity’s self-revelation to be received by us mere mortals in its totality because we are not gods. Even if a divine eye were made available to us, as Lord Krishna does for Arjuna in the Hindu mythic tale, the Bhagavad Gita, our minds are finite and subjective rather than unlimited and objectively able to comprehend reality in itself.[1] Before discussing the Gita, I want to draw on a bhukti (devotional) poem very briefly to demonstrate that human perception and knowledge of the divine in the form of a personal deity only goes so far relative to a deity both not only in regard to it going beyond its form (or forms), but also just in terms of being able to grasp the form (or forms) in its completeness.


The full essay is at "Krishna in Hinduism's Bhagavad-Gita."


1. Kant uses the expression, “things in themselves,” in contrast to appearances. Shankara also distinguishes reality from appearances.


Friday, September 27, 2024

Hinduism and Judaism on Deities and Transcendence

A basic tenet of the Advaita (non-dualist) Hindu philosophy of Shankara holds, “If saguna points to brahman’s immanence, nirguna points to brahman’s transcendence. . . . superiority should not be accorded to the nirguna mode of discourse.”[1] Being a non-dualist, Shankara held that brahman is one, since reality or existence is unitary, and thus brahman as existence and reality of all is indivisible ontologically. Applying David Hume’s separability thesis from An Enquiry Concerning Human Understanding, the distinction between nirguna and saguna can be understood as one made only by human reason, which does not mean that nirguna and saguna are separate entities. In short, we make the distinction; it does not belong to brahman itself. Lest it be thought that nirguna brahman has no analogue in Western philosophy of religion, we need only bring in Spinoza, whose nirguna-like God is so different from the saguna-comparable Abrahamic personal deity that both Judaism and Christianity banished his texts; Judaism excommunicated him. The tremendous qualitative difference between saguna and nirguna brahman can be useful to anyone trying to understand why Judaism excommunicated Spinoza, which is not my task here. Rather, taking nirguna brahman as reality or existence of everything, which, like Spinoza’s notion of God, itself has awareness, I want to stress both how much this differs in kind (i.e., qualitatively) from both Hindu deities and the Abrahamic deity, and the more fundamental point that brahman is One. In spite of the qualitative difference, keeping the Hindu concept of nirguna brahman in mind while thinking about the personal deities that are consistent with saguna brahman is useful.


The full essay is at "Hinduism and Judaism on Deities."


1. Anantanand Rambachan, The Advaita Worldview: God, World, and Humanity (New York: State University of New York Press, 2006), p. 90.


Sunday, December 10, 2023

Avatar: The Way of Water

Sequel to Avatar (2009), Avatar: The Way of Water (2022) contains many parallels with the original film—perhaps too many. The most outlandish, yet philosophically robust, concerns the return of Steven Lang even though his character, the antagonist Col. Miles Quaritch, is killed by Neytiri at the end of the first film. Lang delivers some outstanding lines, so it is no wonder that David Cameron wanted to extend Lang’s character’s life. In so doing, Cameron invented the devise of a recombinant, a Na’vi artificially grown with the human Quaritch’s memories and personality implanted in the brain. This device is fundamentally different than a Na’vi avatar body in which a human brain is temporarily infused remotely by a human. In the case of Jake’s avatar body, which has both Na’vi and Jake’s DNA, there is no question that Jake’s avatar is not Jake himself. In the second film, the lines of identity blur between the human Miles Quaritch of the first film and the Na’vi Quaritch of the second. Cameron himself seems to be not of one mind on the question of whether the Na’vi Quaritch is the same “person” as the deceased human Quaritch. I contend that they are not, and, by implication, that a person’s self-identity, based on existing (or experience of oneself) does not rest solely with one’s memories and personality. In short, there is more to being a person. Before applying philosophy of personhood to the Quaritch characters in the films, I want to provide a context by briefly laying out the extent of parallels between the two films.


The full essay is at "Avatar: The Way of Water."


Sunday, July 19, 2015

The Boys from Brazil


Josef Mengele, an SS physician infamous for his inhumane medical experimentation on prisoners at Auschwitz, is in this film a character intent on furnishing the 95 Hitlers he has cloned with Hitler’s own background. Crucially, Hitler’s father died at 65. So too, Mengele, reasons, must the adoptive fathers of the boy Hitlers. Otherwise, they might not turn out like Hitler. The ethics of Mengele’s task—killing 95 innocent 65 year-olds—is clear. When Ezra Lieberman stops Mengele in his tracks, the question turns to the ethics of killing the 95 boys so none of them will grow up to be another Hitler. This is a much more interesting ethical question, and the narrative—and film as a medium, moreover—would be fuller had the script been deepened to make the question, and thus the ethical and ontological dimensions, transparent for the viewers.


The full essay is at "The Boys from Brazil."