The Children Act

I contend that religion and science are two distinct and unique domains, and thus qualitatively different. It follows that they have their own distinctive criteria, which are rightly hegemonic in their respective domain. In other words, the criteria of religion should not be extended onto the domain of natural science, especially if in doing so the native criteria of science are eclipsed or overridden. Likewise, the criteria of science should not be superimposed into the domain of religion, especially if at the expense of the sui generis criteria of religion. The film, The Children Act (2017), demonstrates the problems entailed in imposing religious criteria onto medical science. An interesting question from having seen the film is whether any such hypertrophy of one domain’s criteria onto another domain inevitably incurs a narrowing of perspective and a corresponding warping of judgment.

The full essay is at "The Children Act."

A Temporary Alignment of Politics and Religion: The U.S. Senate Sanctions Russia after a Funeral

It is easy to point to instances in which elected government-officials stage political theater for effect, for in the domain of politics, perception has a political currency that can leave a real imprint almost as if the staged were actual rather than pretense. When the leader of one group takes over as Speaker of the U.S. House of Representatives from a person of another partisan group, for example, it is customary for them for the mallet literally to be handed over. In the U.S. Senate, its president, who is also the Vice President of the U.S., may sit in the presider’s chair during a vote if a tie is expected; the Senate President can vote only to break a tie. A certain depth of political meaning can go along with the actual presider presiding. Sometimes, however, an arrangement can have a depth of meaning as well as carry actual political weight. The Senate’s vote on additional economic sanctions on Russia on July 28, 2026 is a case in point, for the synchronicity itself could have caused goose-bumps on exposed skin. Even so, even profound political meaning (and fulfilment) is a far shot from religious belief and experience. Distinguishing these is important in this case, for the day of the vote included a very relevant funeral at the National Cathedral that many senators no doubt attended, and could be expected to ponder their own mortality and what may lie beyond.

The full essay is at "A Temporary Alignment of Politics and Religion."

Religion Overreaching: Euthanasia

The Nazi program of inflicting euthanasia on the severely mentally ill in the twentieth century can be distinguished from cases in which suffering people with incurable diseases desire to die voluntarily sooner rather than later. In cases in which such people are mentally ill, the question is more complex, especially if the cause of the suffering is mental. In 2026, the Roman Catholic Church castigated a court ruling allowing the euthanasia of a mentally-ill person whose suffering stemmed in part from severe bodily pain and an incurable diagnosis other than that of the mental illness. Ironically, the Church discounted the element of compassion in putting someone out of one’s misery that would only get worse, and instead focused on “the culture of death” even though Jesus is silent on that issue, as well as homosexuality and abortion, in the Gospels. This is a case, I contend, of religion overstepping onto another domains—ethics and medicine in particular—while shirking its native fauna.  

The full essay "Religion Overreaching." 

The Scarlet and the Black

In the film, The Scarlet and the Black (1983), Gregory Peck and Christopher Plummer face off as Monsignor Hugh O’Flaherty and Col. Herbert Kapper at the end of the film when the Nazi head of police in Rome abruptly changes his tune in challenging the Catholic priest no longer by threats, but by appealing to the priest’s faith of humble compassion applied even to one’s enemies so O’Flaherty will extend mercy to Kapper’s wife and children, who would otherwise fall into the hands of the Allied troops advancing into Rome. Before that dialogue, O’Flaherty and Pope Pius XII subtly debate whether the pope had been right in compromising with Hitler in order to keep the Catholic Church intact in Nazi Germany. The film can thus be viewed in light of the potential of the medium of film to convey and even thrash out contending theological ideas.

The full essay is at "The Scarlet and the Black."

Pope Leo’s First Christmas Message: On International Relations

That severe, systematic inflictions of suffering on whole peoples were going on in the world even on Christmas Day in 2025 did not require a papal announcement for people the world over to be informed of those atrocities. Russia’s military incursion in Ukraine and Israel’s genocide in Gaza had been going on with international impunity for years. The suffering in Yemen and Sudan was less well-known, but substantial nonetheless. Speaking out against the sordid state-aggressors on the first Christmas of his pontificate, the pope provided an alternative basis for international relations that is so antithetical to military invasion and genocide that the message could seem utopian and thus practically of no use whatsoever. Because “might makes right” had made such unimpeded “progress” even in becoming the default and status-quo, the principle of humble compassion to the humanity to one’s detractors and even outright enemies could seem like a fairy tale. 

The full essay is at "Pope Leo's First Christmas Message."

Spotlight

The medium of film can treat organizational, societal, and global ethical problems either from one standpoint, which is appropriate if the assignment of blame for immoral conduct is clear (e.g., the Nazis), or by presenting both sides of an argument so to prompt the viewers to think about the ethically complex problem. This second approach is useful if it is not clear whether a character or a given conduct is unethical. When it is obvious which characters or actions are unethical, a film can still stimulate ethical reasoning and judgment by drawing attention to unethical systems as distinct from individuals and their respective conduct in the film. The film, Spotlight (2015), which is a true story, takes the position that Roman Catholic priests who molested and raped children in the Boston Archdiocese in Massachusetts behaved ethically. The dramatic tension in the film is set up when the chief editor of the Boston Globe, Liev Schreiber, tells the paper’s investigative “spotlight” managers that the story will not go to press until the system that enabled Cardinal Law and others to cover up many child-rapist priests by transferring them to other parishes is investigated. “We’re going after the system,” Liev says in keeping the story under wraps until the entire informal system that has enabled the rapists to continue to lead parishes.  

The full essay is at "Spotlight."

The Count of Monte Cristo

“Vengeance is mine, saith the Lord” is a Biblical saying that is perhaps as well known as it is typically ignored in the midst of passion. Even the advice that revenge is better served up as a cold dish rather than immediately when the grill is still hot is difficult to heed. The 1975 film, The Count of Monte-Cristo, can be likened to a “how-to” recipe book on how to exact revenge against multiple people, one after the other until the sense dawns on the avenger that one’s one life has been utterly consumed by the desire and then feels empty once the deserved suffering has been sufficiently inflicted. It is admittedly very difficult to walk away from a grievous injustice if the agent of the harm is allowed to evade suffering that is deserved. In the film, however, Abbé Faria, a Christian priest who has been unjustly held in an island prison for fifteen years, nonetheless urges Edmond Dantes, whose prison cell is connected to Faria’s tunnel, to resist the temptation to ruin the lives of the four men who had unjustly imprisoned Edmund, including De Villefort, Danglars, and General Fernand Mondego. In the end, Dantes, as the Count of Monte-Crisco, pays dearly for having gone down the road of vengeance. Even if the suffering inflicted on the unjust is deserved ethically, distinctly religious implications should be considered lest avengers are left existentially empty rather than as one might expect, finally at peace. The Christian notion of the Kingdom of God is prominent in this distinctly religious regard.

The full essay is at "The Count of Monte Cristo." 

Hope Gap

Organized or institutional religion as the Roman Catholic Church is in the background in the 2019 European film, Hope Gap. Even with such names as Grace and Angela, religious connotations are present. In fact, the film can be interpreted, at least in part, as a critique on religion in general and Catholicism in particular. The medium of film can indeed play a vital role in critiquing sacred cows from the vantagepoint of an oblique angle or a safe distance.

The full essay is at "Hope Gap."

Pope Leo on the Cinema: A Distinctively Religious Role?

As “part of the Vatican’s efforts to reach out beyond the Catholic Church to engage with the secular world,” Pope Leo spoke with actors and directors on November 15, 2025 about the ability of film “to inspire and unite.”[1] He spoke to the filmmakers about film itself as an art, and what it can do socially. What it can do in a distinctively religious sense was oddly left out. I submit that leaving out how film can contribute to spirituality wherein a transcendent is explicitly included, while instead discussing the social functions of film not only limits the potential of film, but also ironically marginalizes a significant potential of film ironically in the pope’s own field.

The full essay is at "Pope Leo on the Cinema."

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1. Nicole Winfield, “Pope Leo XIV Celebrates Cinema with Hollywood Stars and Urges Inclusion of Marginal Voices,” APNews.com, November 15, 2025.

My Name is Bernadette

The film, My Name is Bernadette (2011), focuses, almost as an obsession, on the question of whether the girl “actually” saw the Virgin Mary in a series of visions at Lourdes. All too often, miracles are treated as ends in themselves, rather than as pointers to something deeper. Even the girl in the visual and auditory (albeit only to Bernadette) apparition identified itself only in terms of a supernatural miracle, the Virgin Mary’s Immaculate Conception. I contend that Bernadette’s awe-inspiring spirituality visually conveyed on screen, and Monsignor Forcade’s spiritually-insightful advice to Bernadette as to her functions in her upcoming life as a nun is more important than the miracles, even from the standpoint of religion. In other words, the story-world of the film, which is based on the true story of Bernadette at Lourdes, is a good illustration of a what happens when everyone in a large group of people reduces religion to science and even metaphysics and misses the sui generis (i.e., unique) and core elements of religion. Such is the power of group-think that conflation of different, albeit related, domains of human experience can remain hidden in a societal blind-spot. Not even the film makes this blind-spot transparent.

The full essay is at "My Name Is Bernadette."

The Seventh Sign

Carl Schultz’s film, The Seventh Sign (1988), centers on the theological motif of the Second Coming, the end of the world when God’s divine Son, Jesus, returns to judge the living and even the dead. In the movie, Jesus returns as the wrath of the Father, which has already judged humanity as having been too sinful to escape God’s wrath. David Bannon, who is the returned Jesus in the film, is there to break the seven seals of the signs leading up to the end of the world, and to witness the end of humanity. Abby Quinn, the pregnant wife of Russell Quinn, asks David (an interesting name-choice, given that Jesus is of the House of David in the Gospel narratives) whether the chain (of signs) can be broken. How this question plays out in the film’s denouement is interesting from a theological standpoint. Less explicit, but no less theologically interesting, is what role humans can and should have in implementing God’s law. The film both heroizes and castigates our species.

The full essay is at "The Seventh Sign."

Mary

The film, Mary (2024), is pregnant with intimations of the theological implications of her unborn and then newly born son, Jesus. That story is of course well-known grace á the Gospels, and the theology of agape love associated with that faith narrative is at least available through the writings of Paul and many later Christian theologians. What we know of Mary is much less, given that her role in the Gospels is not central even though the heavy title, Mother of God, has been applied to her without of course implying that she is the source of God. The film, like the magisterium of the Roman Catholic Church has done, endeavors to “evolve the myth” by adding to Mary’s story even though the additions are not meant to be taken as seriously as, for example, the Catholic doctrine that Mary is assumed bodily into heaven. The movie comes closest to the magisterium in suggesting that Mary’s birth is miraculous; the magisterium holds that Mary is born without sin, and that Jesus inherited this because of the Incarnation (i.e. God, rather than Joseph, impregnates Mary). Suffice it to say that the perception of myth as static is the exception rather than rule; it is natural for the human mind to work with myths such that they can evolve rather than take them as given in a final form or extent. This is not to say that we should focus on the faith narratives as if they were ends in themselves and thus unalterable; rather, as the film demonstrates, religious transcendence is of greater value.

The full essay is at "Mary." 

A Fortunate Man

Religion plays a prominent role in the film, Lykke-Per, or A Fortunate Man (2018). On the surface, Peter Sidenius, a young engineer, must navigate around an old, entrenched government bureaucrat to secure approval for his ambitious renewable-energy project. The two men clash, which reflects more general tension that exists everywhere between progressives and conservatives regarding economic, social, religious, and political change. Although pride may be the ruin of Peter and his project, the role played by religion is much greater than pride manifesting as arrogance, if indeed it is arrogant to stand up to abuse of power, whether by a government bureaucrat or one’s own father.

The full essay is at "A Fortunate Man."

Bill Moyers: Pastor, Politician, Journalist

In a world in which higher education is increasingly thought as preparation for a profession, being multidisciplinary in college and especially in graduate school is decreasingly sought and valued by students at universities in the United States. Unlike in the E.U., where it is more common for the professional schools to be separate from universities given the difference between training and education—skills and knowledge—American universities make it institutionally possible for a person to get a MBA and MPA after a BA in liberal arts or a BS in natural science, or, less commonly, to get a MBA degree and a MDiv degree after having studied in the liberal arts and sciences. The MBA and LLB or JD has been a more popular combination, and I spoke once with a MPA student at Harvard who already had a MBA from Notre Dame and was considering a degree in law. I think the benefits vocationally from being multidisciplinary in one’s formal higher education (i.e., college and graduate school) tend to kick in only after a few decades after one’s final graduation. Perhaps only in retrospect does the traces of such an education reveal themselves in a person’s work-life. I contend that the political aide, pastor, and journalist, Bill Moyers, is an excellent example of how a multidisciplinary education can enrich a person’s career, which is not likely to stay “inside the lines” of one particular industry. This is not a bad thing.

The full essay is at "Bill Moyers."

The Summer Solstice: Astronomy Is Not Meteorology

It boggles the mind that the same meteorologists who know that June, July, and August days are counted when calculations are made on the average temperature for summer nonetheless broadcast the summer solstice that falls three weeks into June as the first day of summer. To do so in the context of weather forecasts is nothing short of intellectually dishonest. To an unfortunate extent, those meteorologists may simply be following the herd of tradition at the expense of thinking for oneself. The human brain is suited for much more than a herd-animal mentality.

The full essay is at "The Summer Solstice."

The E.U. on Anti-Trust Enforcement: The Case of Google

On June 19, 2025, when the European Court of Justice, the E.U.’s supreme court, received a nonbinding opinion from the advocate general, Juliane Kokott, recommending that Google’s appeal against an anti-trust fine of €4 billion be dismissed by the court. The E.U.’s executive branch, the Commission, had found in 2018 that the company had “used the dominance of its mobile Android operating system to throttle competition and reduce consumer choice.”[1] I contend that the company’s written statement in response can be characterized as “stone-deaf” or oblivious to the issue at hand. Such is not an effective way of managing threats in the environment of business. Moreover, the response itself illustrates why governmental action on anti-trust on behalf of market competition is valid and necessary. I contend that the invisible-hand mechanism of a restored competitive market is more reliable than depending on managerial intentions even if they are to be based on motivation that is social-engineered from fines.

The full essay is at "The E.U. on Anti-Trust Enforcement."

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1. “Google Hits Setback in Bid to Overturn Multibillion EU Antitrust Fine in Android Case,” APnews.com, June 19, 2025.

Worse than Hell on Earth: Gaza

Each of us is so close to human nature that our perception of it may be blurry or partial. One of Freud’s contributions is the insight that we don’t even know ourselves completely, given the existence of the subconscious. This is also true of trying to comprehend human nature at a distance, as whether humanity is or is not by nature compassionate to people who are suffering greatly at a distance. The sheer duration of the extreme suffering of civilians in Ukraine and Gaza in the midst of ongoing military attacks by Russia and Israel, respectively, beginning in the early 2020s, and the sheer impunity absent any interventionist coalitions of countries from around the world combine to give a negative verdict on human nature concerning compassion from a distance. It can even be said that the ongoing passive complicity around the world impugns not only us, but human nature itself. While less explicit than in furnishing weapons to Russia or Israel, the complicity of human nature is more serious, for even as geopolitics change, human nature is static, at least in a non-evolutionary timespan. Given the extreme suffering in Gaza in particular, the lack of political will around the world to step in militarily and assume control of Gaza may mean that human nature itself is worse than hell on earth.

The full essay is at "Worse than Hell on Earth."

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

The film’s title, “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles,” (1975) is nothing but the name of the principal character, a widowed single mother of a teenage son, Sylvian, followed by her mailing address, complete with the zip-code 1080 and her apartment number 23. Her mundane daily life matches the generic title being her name and full address. To be sure, Dielman’s apartment is a ubiquitous fixture as the film’s setting, and the object of the lead character’s daily household chores, which she does so dispassionately and so often that the film can be reckoned as a statement on the utter meaninglessness than can come to inhabit a solitary person’s life when it excludes interpersonal intimacy and even God.

The full essay is at "Jeanne Dielman."

Interreligious Learning

Jess Navarette, speaking at Harvard’s Bhakti Yoga conference in 2025, defined comparative theology as “the study of religious faith, practice, and experience, especially the study of God and of God’s relation to the world.” Because the capitalized word, “God,” is used and usually identified with the deity of the three Abrahamic religions, Judaism, Christianity, and Islam, Navarette undoubtedly used the term as a general placeholder for divinity, whether in the form of a deity or impersonal, as in brahman in Hinduism. This begs the questions: what is divinity and could a definition apply to every religion? Answers to these questions can be fruitfully informed by what Navarette calls “interreligious learning” in theology, which in turn is not exclusively applicable to Christianity. Rather than presuming that I have answers, I want to explore how such learning can be fruitful in advancing knowledge of religion as an arguably sui generis domain.  

The full essay is at "Interreligious Learning."

Conclave

In the film, The Godfather, Part III (1990),  Cardinal Lamberto laments that Christianity, like water surrounding a stone that is in a water fountain, has not seeped into European culture even after centuries of being in Europe.  Watching the movie, Conclave (2024), a person could say the same thing about the Roman Catholic Church, though the ending does provide some hope that internecine fighting and pettiness for power, even aside from the sexual-abuse epidemic by clergy, need not win the day.

The full essay is at "Conclave."