Religiosity among Young Republican Men: An Escape from Homosexuality to White Privilege?

Idealism may exist especially in young adults because they have not experienced decade upon decade of the intractability of a deeply flawed social, political, and economic world’s status quo, which typically permits only incremental change. Zealous optimism can be expressed in a variety of domains, including religion, social issues, and politics. For example, political group-affiliation can stimulate a more intense devotion to religion, and vice versa. Even a passion on social agendas can translate into increased religiosity, and the latter can overreach onto the former. It can be asked of such instances whether the religiosity is genuine, or merely transferred energetic enthusiasm from another domain. The upsurge in religiosity among young Republican men polled by Gallup in the mid-2020s may be more political than religious. Relative to the growing numbers of non-religious-affiliated people in the U.S. as well as the E.U., the uptick among young Republicans should be put into perspective.

The full essay is at "Religiousity among Young Republican Men."

From Ground Zero: Stories from Gaza

Twenty-two real-life stories fraught with suffering and a pervading sense of utter hopelessness: The film, From Ground Zero: Stories from Gaza (2024), is a documentary in want of a solution that did not come not only in 2024, but also in 2025. That Rashid Masharawi, the film’s director, survived even the release of the film is remarkable. Israel clearly did not want true stories from Gaza reaching the rest of the world even though it was not as if the rest of us could miss the photos of the mass devastation throughout Gaza and the resulting tent camps in 2025. It precisely because societal-level figures, such as 65,000 or 75,000 civilians murdered and over a million left starving and homeless, can be easily separated from the plights of individuals and families on the ground that Masharawi’s film is so valuable. Juxtaposed with the Gaza-wide statistics befitting the genocide and perhaps holocaust, the 22 stories in the film give the world a sense of what experiencing a holocaustic genocide is really like.

The full essay is at "From Ground Zero."

Pope Leo on the Cinema: A Distinctively Religious Role?

As “part of the Vatican’s efforts to reach out beyond the Catholic Church to engage with the secular world,” Pope Leo spoke with actors and directors on November 15, 2025 about the ability of film “to inspire and unite.”[1] He spoke to the filmmakers about film itself as an art, and what it can do socially. What it can do in a distinctively religious sense was oddly left out. I submit that leaving out how film can contribute to spirituality wherein a transcendent is explicitly included, while instead discussing the social functions of film not only limits the potential of film, but also ironically marginalizes a significant potential of film ironically in the pope’s own field.

The full essay is at "Pope Leo on the Cinema."

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1. Nicole Winfield, “Pope Leo XIV Celebrates Cinema with Hollywood Stars and Urges Inclusion of Marginal Voices,” APNews.com, November 15, 2025.

Dorothy Day: Drawing on the Profane to Grasp the Sacred

Rather than spending her adult years in a convent, Dorothy Day, who founded the Catholic Workers Movement in the twentieth century, could distill religious experience through her activity in the world—the sacred essentially coming up through the profane. This is not to confound these two spheres, just as Christology has held since the Council of Nicaea (325 CE) that the two natures, human and divine, of Christ do not mix within his one essence. In fact, even within the religious sphere, Day could distinguish qualitative differences between God as personified and as impersonal in nature.

The full essay is at "Dorothy Day."

Turning a Church into a Partisan Billboard

By lapsing headlong into partisan politics, especially on controversial matters such as “social issues,” otherwise known as “culture wars,” a congregation unwittingly, and, from a religious standpoint, arbitrarily (i.e., dogmatically) constrains (i.e., limits) its potential membership unnecessarily because people who would be open to and even relish the religious dimension but are opposed ideologically to the partisan stance on a political, or social, issue would not be likely to attend the ostensibly religious services. No one likes to feel ideologically uncomfortable or, even worse, despised. This is particularly likely when a congregation turns its building into an ideological billboard. I suspect that this is a distinctly American phenomenon (i.e., taking things too far). Behind the extravagance lies the sin of pride, wherein a person erroneously believes that he or she cannot be wrong ideologically. This presumption of ideological (or political) infallibility carries with it the erroneous perspective of one’s partisan stance representing a whole (i.e., truth) rather than being partial, as with respect certain values being privileged above others.

The full essay is at "Church Billboards"