NAZA

While a student at Yale, I took Charlie Musser’s seminar on documentary films on a whim, after having taken two courses oriented to film narrative (not screenwriting). Because my studies were mainly in philosophy of religion, historical theology, and history at Yale, I think neither Charlie nor I knew quite why I was taking his course. At the time, I would not have thought that I would be writing on the genre thirty years later. The film, NAZA (2026), makes my earlier endeavor entirely worthwhile, and integrated into my main academic areas of study and research, which include ethics and political theory. The documentary “examines ‘the systems behind the mass killing of Palestinian civilians’” in Gaza, and as of October, the theatrical release was being extended due to so many sold-out showings.[1] The Venice Film Festival awarded the film with the Special Jury Prize, and the two filmmakers, Rachel Szor and Yuval Abraham, “received a record-breaking 25-minute standing ovation at the festival.”[2] The film can be interpreted as documenting the magnified harsh effects that unchecked power over other people can have when those others are dehumanized. It is interesting how close “NAZA” is to another word, NAZI.

The full essay is at "NAZA."

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1. David Mouriquand, “Gaza Documentary ‘NAZA’ Beating ‘Avengers Endgame” Encore’ at Box Office,” Euronews.com, 1 October 2026.

2.Ibid.

The Exception

The medium of film is capable of bringing nuances of power to audiences, even when the story-world is steeped in autocracy and totalitarianism. The Exception (2016) is such a film, for in terms of power the film shows the relationship between the Nazi government of Germany and (retired) Kaiser Wilhelm II in the Netherlands, which has just been occupied by Germany. The Nazi officials represent the state, whereas Wilhelm’s “soft” power stems from royalty. As Wilhelm’s attendant, Col. Sigurd von Ilsemann, observes, no one is safe from Nazi reprisals, not even Wilhelm and his high-brow wife. So he is not the exception alluded to in the title in the sense of being exempt from raw Nazi power; the night of the long knives demonstrated that no one is safe, even though the former king still means a lot to the German people. The exception refers instead to Capt. Stefan Brandt, and in particular to his moral scruples concerning the Nazi mass murders in eastern Europe. As the story unfolds with a visit by Himmler, Wilhelm becomes an exception in this sense too. Even in a totalitarian autocracy, a surprising amount of soft power can exist in opposition. Taking a moral stand can manifest "soft" power even though an ethic is semi-permeable by power-aggrandizement.

The full essay is at "The Exception."

Valkyrie

Claus von Stauffenberg was a Nazi army officer who attempted unsuccessfully to assassinate Hitler at the Wolf’s Lair on July 20, 1944. Stauffenberg was shot the next day as a result. The Nazis did not surrender until May 7, 1945, a few months shy of a year later, so Stauffenberg’s intent to end the war would have made a substantial difference in terms of the number of dead and wounded from World War II in Europe. The 2008 film, Valkyrie, chronicles the story in the genre of historical fiction, even though Tom Cruise, Bill Nighy, Kenneth Branagh, and Tom Wilkinson play Nazi figures (without even German accents), although Tom Hollander does play a suspicious Nazi quite convincingly. Viewers could still be excused for approaching the film as a “Wagner meets Shakespeare in the Park” production. The film gets its title from the Valkyrie in Wagner’s opus: handmaidens of the gods. The sparce religious nomenclature in a few scenes of the film is easy to miss, and, I submit, the interlarding of religion is ill-suited to the political drama.

The full essay is at "Valkyrie."

Eichmann

There comes a point in the film, Eichmann (2007), which is based on Avner Less’s series of interviews with Adolf Eichmann in an Israeli jail, when the man who was in charge of transport to the Nazi death camps realizes that he will lose the upcoming trial and be hanged; the hitherto unemotional Eichmann instantly tears up in front of Avner Less in the small, windowless room and laments never being able to see his children again. Less points out that Eichmann has sent many children to their deaths, “but they were Jews,” Eichmann counters. The inroads into the psyche that Nazi propaganda reached was suddenly obvious, even odd. Ideology with the machinery of state as a proponent and enforcer can short-circuit the human mind without the mind being aware of its own cognitive distortions. Eichmann states, “but they were Jews” as if anyone would understand because he takes the validity of the statement as a given. Translation: Jews were not only enemies of the state; they were also subhuman. In an earlier interview, Eichmann disclaimed being antisemitic with a tone that conveys to the audience that he really believes his statement. At the very least, the mental pathology of disassociation seems to have been caused by the earlier Nazi propaganda. State ideology can indeed be mentally invasive, and this may say as much about the vulnerabilities of the human brain as the danger latent in political power than can manifest in massive states as not only war crimes, but also the more severe crimes against humanity.

The full essay is at "Eichmann."

Pope Leo Denounces Warmongers

With Easter, 2026, taking place amid the holocaustic genocide in Gaza, Russia’s ongoing invasion of Ukraine, and the U.S./Israel attacks against Israel, Pope Leo used the occasion to speak out against war, and those who benefit politically and by profiting from war. The pope’s absolute rejection of war included excoriating Christians who had been using theological rationales to justify war. Although not in the pope’s field of vision at the time, such Christians have included the popes who had perpetuated four crusades—the last of which was waged against Constantinople (i.e., eastern Christians)—in Medieval European Christendom. The implication is that Jesus did not hear the prayers of those militarized Christians who thought they were defending Jesus and his Church.

The full essay is at "Pope Leo Denounces Warmongers."

Nuremberg

It is said that history is written by the victors. The film, Nuremberg (2025), bears that out. Even though Justice Robert Jackson, the American prosecutor at the Nuremberg Nazi trial, compromises its integrity and thus breaches due process by pressuring Douglas Kelley, the psychiatrist assigned to the Nazi prisoners (most notably Goring), to obtain and pass on the defense’s strategy to Jackson, which Kelley does, the trial is presented nonetheless as legitimate and the Nazi prisoners as even deserving an unfair trial. Nevertheless, nations governed by the rule of law are never justified in putting on corrupt trials, or skewing them to push a particular ideology. The film itself is skewed to highlight the Nazi crimes against the Jews at the expense of delving more into the distinctly war crimes even though those crimes were just as important in the charges in the actual trial.

The full essay is at "Nuremberg."

Dying

As a Jewish kid in Nazi Germany, Michael Roemer, a filmmaker who went on to teach documentary at Yale (I took Charles Musser’s seminar a semester after Roemer left), had to lie in order to survive. In making the film, Pilgrims Farewell, he wanted to get as close to the truth as a human can. He didn’t want to lie anymore. He wanted to deal with the real thing. In making the documentary, Dying (1976), he realized that the people whom he documented as they were dying were more real that what he was going through in his family in New York. Artists and their families pay, he remarked decades later at Yale. “I neglected my family; I was always working. Once I started, I had to make the film,” he said after a presentation of the film on dying. “The people dying knew something we didn’t know,” he added. The prospect of death apparently makes things incredibly real, before they’re not.

The full essay is at "Dying."

The Scarlet and the Black

In the film, The Scarlet and the Black (1983), Gregory Peck and Christopher Plummer face off as Monsignor Hugh O’Flaherty and Col. Herbert Kapper at the end of the film when the Nazi head of police in Rome abruptly changes his tune in challenging the Catholic priest no longer by threats, but by appealing to the priest’s faith of humble compassion applied even to one’s enemies so O’Flaherty will extend mercy to Kapper’s wife and children, who would otherwise fall into the hands of the Allied troops advancing into Rome. Before that dialogue, O’Flaherty and Pope Pius XII subtly debate whether the pope had been right in compromising with Hitler in order to keep the Catholic Church intact in Nazi Germany. The film can thus be viewed in light of the potential of the medium of film to convey and even thrash out contending theological ideas.

The full essay is at "The Scarlet and the Black."

Pope Leo’s First Christmas Message: On International Relations

That severe, systematic inflictions of suffering on whole peoples were going on in the world even on Christmas Day in 2025 did not require a papal announcement for people the world over to be informed of those atrocities. Russia’s military incursion in Ukraine and Israel’s genocide in Gaza had been going on with international impunity for years. The suffering in Yemen and Sudan was less well-known, but substantial nonetheless. Speaking out against the sordid state-aggressors on the first Christmas of his pontificate, the pope provided an alternative basis for international relations that is so antithetical to military invasion and genocide that the message could seem utopian and thus practically of no use whatsoever. Because “might makes right” had made such unimpeded “progress” even in becoming the default and status-quo, the principle of humble compassion to the humanity to one’s detractors and even outright enemies could seem like a fairy tale. 

The full essay is at "Pope Leo's First Christmas Message."

The Reader

The film, The Reader (2008), captures a frame of mind that may be so frequently overlooked when it is observed because it is so bizarre in its impact on reasoning that it difficult to explain, let alone grasp for what it is. The phenomenon is not of artifice; rather, it is a natural vulnerability of the human mind, or brain, due to its susceptibility to ideology that is highly unethical in its content, including a circumscribed and even warped mental framework and very unethical prescriptions for conduct. The ideology at issue in the film is that of the Nazi Party in Germany from 1933 to 1945.  The truism that absolute power corrupts absolutely does not fully account for the cognitive warping that is evinced by Hanna Schmidt during her trial in the film.

The full essay is at "The Reader."

The Aryan Couple

The matter of group-identity is salient in the film, The Aryan Couple (2004), which actually centers around two couples: Joseph and Rachel Krauzenberg, and Hans and Ingrid Vassman. The Krauzenbergs contract with Himmler, the man whom in Nazi Germany was tasked with riding the Reich of its Jewish population, to exchange the Krauzenbergs’ asset-rich and sprawling conglomerate for safe passage of the entire Krauzenberg family out of Germany to Palestine instead of being sent to a concentration camp. Joseph and Rachel are Germans, and yet, quite artificially, they refer to Germans in the third person, and to themselves as Jews. It is precisely this error that I submit may have contributed historically to the ostracism of the Jews in Germany even before Hitler’s rise to power, hence contributing to setting the stage for a final, horrific solution. Film can thus be used to widen people’s thinking on historical and political events, and thus play a deeper role than merely to entertain.

The full essay is at "The Aryan Couple."

The Gaza Holocaust

I contend that the genocide in Gaza being committed by the Israeli government can also be termed a holocaust. This is actually not much of a leap; what is surprising is that American mercenaries—retired U.S. Army officers working as subcontractor security forces at food distribution sites in Gaza—have also enjoyed the sport of shooting adult and even children Gazans under the reasonable assumption of impunity. As the funder of the subcontractor, the U.S. Government can be considered as an accomplice even more directly than in merely supplying Israel with the weapons to use to kill off the population of Gaza. The sheer inertia of the American electorate and the intractability of the federal representatives can itself be viewed as a subtle accomplice in the ongoing atrocity of the Gaza Holocaust. Even in the E.U., the electorate and its federal representatives have been slow to adjust, as for instance E.U. President Von der Leyen made an excuse in July of 2025 not to end the trade agreement with Israel. With the U.S. so ethically compromised, the world wisely looked to the E.U. and even to China to step in and stop the holocaust, especially after an American who had witnessed the killing publicly described the horrendous role of both the Israelis and Americans providing “security” at the food-distribution sites.

The full essay is at "The Gaza Holocaust."

Passive Aggression on Campus: Redefining Hate-Speech

Besides using social pressure and anger to purge words that a student or faculty member deems unacceptable, the word police have found that they can get objectionable opinions criminalized. This runs 180 degrees from the sort of openness to different, even objectionable ideas that makes a college campus thrive with an academic rather than passive-aggressive atmosphere. Sometimes, getting the law to go against a pollical opinion that a fallible person deems to be intolerable can show just how dogmatic in the sense of being arbitrary the criminalizing of ideas can be. Here I have in mind the case of Marianne Hirsh, a genocide scholar at Columbia University. It is a sign of going too far that political corrective would be weaponized with criminal punishments that such a scholar, whose parents had died in the Nazi Holocaust, would think that she would have to teach at another university to be able to continue teaching material from the notable twentieth-century scholar, Hannah Arendt, who wrote on the banality of evil in that Holocaust (and, were she still alive in the next century, would probably also write of the Gaza Holocaust in such terms). Behind political correctness is the arrogance and related intolerance that stem from the sin of self-idolatry: taking oneself to be omniscient and omnipotent (but not omnibenevolent).

The full essay is at "Passive Aggression on Campus."

Israel Kidnapping at Sea: On Absolutist National Sovereignty

In the dark of night on June 9, 2025, Israeli military forces intercepted The Madleen, a yacht operated by the Freedom Flotilla Coalition (FFC), a political-activist group oriented to getting food and medicine to the residents of Gaza in Israel. Activists from the E.U., Brazil, and Turkey were on the boat until they were forced onto an Israeli boat and taken to Tel Aviv’s airport, where they were pressured to sign a document that they had entered Israel illegally and agreed to be deported. Once back in the E.U., its activist Greta Thunberg told reporters that Israel had committed “an illegal act by kidnapping us on international waters and against our will, bringing us to Israel, keeping us in the bottom of the boat, not letting us getting out and so on.”[1] She had agreed to give her written consent to be deported (even if that meant being permanently banned from Israel, she likely would have welcomed the stipulation), but she refused to admit that she had entered Israel illegally. She had, after all, been kidnapped in international waters. Being forced to enter a country by its government, whose officials reason nonetheless that the entrance is illegal, merits the spotlight on enquiry, as this actual mindset can be said to be pathological in nature. I submit that pathology with governmental sovereignty is never a good mix.

The full essay is at "Israel Kidnapping at Sea."

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1. Jaroslav Lukiv and David Gritten, “Greta Thunberg Deported, Israel Says, after Gaza Aid Boat Intercepted,” BBC.com, June 10, 2025.

Worse than Hell on Earth: Gaza

Each of us is so close to human nature that our perception of it may be blurry or partial. One of Freud’s contributions is the insight that we don’t even know ourselves completely, given the existence of the subconscious. This is also true of trying to comprehend human nature at a distance, as whether humanity is or is not by nature compassionate to people who are suffering greatly at a distance. The sheer duration of the extreme suffering of civilians in Ukraine and Gaza in the midst of ongoing military attacks by Russia and Israel, respectively, beginning in the early 2020s, and the sheer impunity absent any interventionist coalitions of countries from around the world combine to give a negative verdict on human nature concerning compassion from a distance. It can even be said that the ongoing passive complicity around the world impugns not only us, but human nature itself. While less explicit than in furnishing weapons to Russia or Israel, the complicity of human nature is more serious, for even as geopolitics change, human nature is static, at least in a non-evolutionary timespan. Given the extreme suffering in Gaza in particular, the lack of political will around the world to step in militarily and assume control of Gaza may mean that human nature itself is worse than hell on earth.

The full essay is at "Worse than Hell on Earth."

Beyond Description, Atrocious, Inhumane: The New Normal?

“The situation for Palestinians in Gaza is beyond description, beyond atrocious and beyond inhumane.”[1] So wrote Antonio Guterres, Secretary General of the United Nations, on May 17, 2025. He could have been looking at films taken when the Nazi concentration camps were liberated in 1945 at the end of World War II. It was a shock to the world back then. The scale of the inhumane atrocity of over a million people living in rubble and starving by design in the next century raises the question of whether extreme inhumanity toward a group in searing hatred was becoming normalized, and thus tolerated by the world absent even a coalition of the willing to step in and counter what even democracy could inflict.

The full essay is at "Beyond Description, Atrocious, Inhumane."

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1. Antonio Guterres, Secretary-General of the United Nations, LinkedIn.com, May 17, 2025.

Mickey 17

Ethical, theological, and political issues are salient in the film, Mickey 17 (2025), which is about Mickey Barnes, a character who is repeatedly cloned on a space-ship and on a distant planet. The one-way trip alone takes over four years, during which time Mickey is tasked with dangerous tasks because when he dies, another clone is simply made. A mistake is made when the 18^th clone of Mickey is made even though the 17^th is still alive; they are “multiples,” which is a crime for a theological reason. I contend that reason is erroneous, as is the political, ethical, and theological regime that undergirds clones being expendable. 

The full essay is at "Mickey 17". 

Political religion: Hitler Youth

In 2025 at Harvard, Madeline Levy presented her dissertation in progress in a graduate-student research workshop, which I was privileged to attend in my capacity as a research scholar at Harvard. She was presenting how the Hitler Youth program in Nazi Germany appropriated from religion politically, thus in a secular context yet with the aura of a religious cult. Interestingly, most of the kids in the program had been in church groups. Almost two decades earlier, I had audited a course on Nazi Cinema at another university; the course was taught by an 81-year-old German man who had been forced into Hitler Youth. Unlike Stalin’s cinema, which was blatant Soviet propaganda, Nazi cinema was escapist (not counting the anti-Jew propaganda “documentaries”). In contrast, Hitler Youth was hardly escapist, as the program was steeped in Nazi ideology. Although that ideology was secular, casting even Catholic Europe as an enemy, Levy was making the case that religious paraphernalia was incorporated in the program nonetheless. She brought up the element on ontology, or being, which in turn led me to draw on philosophy to explain the kids as becoming moral agents in a Kantian sense. Although philosophy and theology are distinct, both can be applied to political theory in a historical context.

The full essay is at "Political Religion."

Return to Haifa

Return to Haifa (1982) is a film in which the political element of international relations is translated into personal terms on the levels of family and individual people. The establishment of Israel by the UN is depicted in the film as being accomplished not only incompetently, but in negligence of likely human suffering. In fact, the suffering of the indigenous population may have been intended, given the operative attitude towards those people as animals. That the human being can be so dehumanizing in action as well as belief ultimately makes victims of all of us, even across artificial divides. This is precisely what the film depicts, with the victims being the active characters while the real culprits remain for the most part off-camera. The viewer is left with a sense of futility that can be undone by widening one’s view to include the antagonists, who are not passive. It is not as if fate inexorably brought about the Nakba (or even the scale of the atrocities in Gaza in the next century, which, as the film was made in 1982, cannot be said to be anticipated by the filmmaker—though perhaps it could have been).

The full essay is at "Return to Haifa."

The Brutalist

It is easy to conclude that Adrien Brody “steals the show” in his depiction of Laszio Toth in The Brutalist (2024), a film about a Jewish architect (and his wife and niece) who emigrates to Pennsylvania from Hungary after World War II. As I was stretching my legs after watching the very long yet captivating film in a theater, a woman doing the same declared to me that Adrien Brody had definitively stolen the show. I wasn’t quite sure, though I perceived Guy Pearce’s acting out Harrison Van Buren to be emotionally fake, even forced. In understanding the film, it is vital to go beyond the obvious characters (and actors) to acknowledge the roles of two silent yet very present characters as definitive for the meaning of the film. Before revealing those characters, the proverbial elephant in the room must be discussed: Being Jewish even in the modern, “progress”-oriented world.

The full essay is at "The Brutalist."