Enemy

Villeneuve’s film, Enemy (2013), is ostensibly about two men who look alike (they are played by the same actor). Jake Gyllenhaal plays both Adam and Anthony. That both characters have the same frontal scar in the same bodily location signals that the identity goes beyond the possibility that they are identical twins. The identity topic in philosophy of mind is thus salient in the film, and this has invited several commentators to delve deeply into psychological analysis to suggest that Adam is a figment of Anthony’s subconscious, or vice versa. The film does not make clear what exactly is real and what may be a character’s mental construction. Suffice it to say that the film is very difficult to comprehend. Even when Anthony’s wife appears to Adam/Anthony as a giant spider at the very end of the film, it is only conjecture to assume that the spider represents the heaviness of constraint in being in a relationship of commitment rather than anything goes—the latter being inconsistent with a real relationship. The film presents the viewers with intimations of philosophy of mind and more directly of relationship ethics; these two domains play off each other.

The full essay is at "Enemy." 

The Imitation Game

Films in which philosophy of mind is salient may, like films in which metaphysics is reconfigured, run the risk of not being understood. The Matrix (1999), however, depicts solipsism (or, “mind in a vat”) in a way that viewers could grasp the philosophy without much difficulty. Dialogue, image, and narrative all contribute to give audiences a coherent sense with which they can go on to look at their daily lives as if they were illusory rather than real. Sixteen years later, The Imitation Game (2015) brought to audiences a salient question that would become more pressing during the AI revolution: How does the human brain’s thinking differ from a computer’s thinking?

The full essay is at "The Imitation Game."

Passengers

In line with the films, The Sixth Sense (1999) and The Others (2001), Passengers (2008) centers on the (hypothetical) question of whether the walking dead have to be convinced that they are indeed dead rather than still living. In all of those films, and even Ghost (1990), the dead who stick around as ghosts rather than immediately pass on to another realm have something to come to terms with, or work out. The astute viewer of these films is apt to wonder whether in the story-worlds of the films, as well as in real life, all that is going on is really just in the dying brain of the dead person, which is the case in Jacob’s Ladder (1990). We know that a dying brain secretes a hallucinatory hormone. As for whether there is even an actual afterlife, such a question is still beyond our reach, at least before death. I contend that Passengers hinges on whether the entire movie takes place in Claire’s mind. The answer hinges on the nature of the existence of the other characters who are dead. If they have their own agendas rather than are around to help Claire come to terms with the fact that she is actually dead—that she was on the plane that crashed with no survivors—then the film posits the existence of ghosts in our world rather than just in dying brains. The issue, in short, is existential and metaphysical.

The full essay is at "Passengers."

AI on Falling in Love: A Potential Course

In the film, Wall-E (2008), a robot “falls in love” with another, whose anthropomorphic pronoun is she/her rather than it as is fitting for a machine. As a robot does not have genitalia, neither the masculine or feminine single pronoun applies, and because a robot is an entity, the plural pronouns also do not apply. Word-games aside, the more substantive and interesting matter of whether a robot, and even AI (i.e., machine learning), can (or could potentially) understand the phenomenological experience of falling in love, and, whether yes or no, be able beyond mere prediction to match couples who would fall in love were they to meet. A college course on these questions, especially with relevant films including Wall-E and The Matrix being assigned, would be incredibly popular and capable of tremendous mind-stretching. 

The full essay is at "AI on Falling in Love."

From Ground Zero: Stories from Gaza

The uniqueness of the film, From Ground Zero: Stories from Gaza (2024), goes well beyond it being a documentary that includes an animated short made by children and a puppet show. Footage of a Palestinian being pulled from the rubble twice—one with the head of his dead friend very close to him and the other with his account that he could see body parts of his parents near him—is nothing short of chilling. Perhaps less so, yet equally stunning, are the close-ups of the legs and arms of children on which their respective parents had written the names so the bodies could be identified after a bombing. That the kids had dreams in which they erased the black ink from their skin because they refused to fathom the eventuality of having to be identified is chilling in a way that goes beyond that which film can show visually. Moving pictures can indeed go beyond the visual in what film is capable of representing and communicating to an audience. The same can be said regarding the potential of film to bring issues not only in ethics, but also in political theory and theology to a mass audience.

The full essay is at "From Ground Zero."

Presence

The medium of film has great potential in playing with ontology, the branch of philosophy that asks (and tries to answer) the fundamental question: What really exists?  Put another way, what does it mean for something to exist. The being of “to be,” as opposed to not-be may be thought of, can be labeled as existential ontology. Whereas in the Hindu Upanishads, being itself is Brahman, which pervades everything in the realm of appearance, the Abrahamic religions posit the existence of a deity that creates existence and thus is its condition or foundation. Creation ex nihilo (i.e., from nothing) is another way of grasping why the Abrahamic god is not existence, or being, itself, for that which brought (and sustains) existence into (and as) being cannot logically be existence itself. Fortunately for most viewers who lead normal lives, the film, Presence (2024), does not hinge on such abstractions; the salience of ontology, or what is real beyond our daily experiences (in the realm of appearance), is merely implied in there being an entity that intriguingly is only a presence. It is real to both the main characters in the film’s world and to viewers of the film because of the inclusion of supernatural effects that the entity is able to register in the perception of the family living in the house. Crucially, such effects do not overwhelm the subtlety in how the presence is known to exist (i.e., be real). In this way, Presence succeeds where Poltergeist (1982) and Ghost (1990) do not: Presence is more philosophically intriguing and thought-provoking than the latter two films, and is thus a better example of the potential that the medium of film has in engaging viewers in philosophy. Being less oriented to visually titilating supernatural effects, Presence can better engage the mind philosophically. 

The full essay is at "Presence."

Emilia Pérez

In handling social ethics, especially if the topic is controversial, film-makers must decide, whether consciously or not, whether to advocate or elucidate. Whereas the former is in pursuit of an ideology, the latter is oriented to teasing out via dramatic tensions the nuances in a typical normative matter that move an audience beyond easy or convenient answers to wrestle with the human condition itself as complex. This is not to say that advocation should never have a role in film-making; The film, Schindler’s List (1993), for example, provides a glimpse into the extremely unethical conduct of the Nazi Party in ruling Germany. I submit that the vast majority of ethical issues are not so easily decided one way or the other as those that arose from Hitler’s choices regarding communists, Slavs in Eastern Europe, intellectuals, Jews, homosexuals and the disabled. In relative terms, the ethical controversy surrounding transsexuals is less severe and clear-cut. The value of elucidating is thus greater, as are the downsides of prescribing ideologically. One such drawback to indoctrinating on a controversial issue is that the ideological fervor in making the film for such a purpose can blind a film-maker to the cogency of the arguments made in favor of advocated stance on the issue. The film, Emilia Pérez (2024), illustrates this vulnerability, which I submit is inherent to ideology itself.

The full essay is at "Emilia Pérez."

Should Philosophers Sell Out to Business?

Should philosophers at universities, by which I mean scholars who hold a Ph.D. in philosophy, try to be relevant?  Nietzsche wrote that no philosopher is a person of one’s own day, but Adam Smith saw in philosophers the potential as observers rather than doers to observe occupations rather than Plato’s eternal moral verities or Aristotle’s prime mover way up high. Opinions on this question can reasonably differ, but under no circumstance should someone holding a MBA and DBA or Ph.D. in business claim to be a philosopher. This is especially true in North America, where doctoral students in business have not typically even taken ethics courses in philosophy. Indeed, I turned down a doctorate in business in part because my area would have been business ethics sans any coursework in philosophy, including ethics. I attempted to take the core graduate course in ethics, but the professor, Kurt Baier, announced at the end of the first class session that only philosophy students could enroll. Baier had the countenance of Schopenhauer, and both, ironically, focused on ethics academically. To be sure, doctoral students in business who already have a Ph.D. in philosophy may be counted as philosophers, and the dual degrees fit an orientation to observing and thinking about occupations rather than just on metaphysics or ontology.

The full essay is at "Should Philosophers Sell Out to Business?"

Taoist Climate Change on Halloween

In the midst of the intensification of the very polarized and thus divisive U.S. presidential campaign “season” (i.e., year) during its last week, Halloween of 2024 occurred in Boston, Massachusetts not only without the need of trick-or-treaters and their parents to wear winter coats, but also with the option of wearing shorts and short-sleeve shirts without even having to wear a light jacket. That this was so as late as 8pm was nothing short of surreal not only to New Englanders, but also to any transplants from the northern-tier Midwestern and Plains states.  It being around 70F degrees well into the dark hours was nothing short of unprecedented, and so much so that the negative impact of the cold climate in detracting from the holiday in prior years could finally be grasped. I had realized this more than a decade earlier when I was in Miami during Halloween. There is indeed a silver lining to global warming for people living in places that are cold during the late fall, winter, and early spring seasons, even as contrary to political correctness it is to admit this even to friends. The proclivity of the human mind/brain to divide up the world in terms of dichotomies of mutually-exclusive, antagonistic poles does not necessarily fit with empirically with the real world. Taoism speaks to this.

The full essay is at "Climate Change on Halloween."

Avatar: The Way of Water

Sequel to Avatar (2009), Avatar: The Way of Water (2022) contains many parallels with the original film—perhaps too many. The most outlandish, yet philosophically robust, concerns the return of Steven Lang even though his character, the antagonist Col. Miles Quaritch, is killed by Neytiri at the end of the first film. Lang delivers some outstanding lines, so it is no wonder that David Cameron wanted to extend Lang’s character’s life. In so doing, Cameron invented the devise of a recombinant, a Na’vi artificially grown with the human Quaritch’s memories and personality implanted in the brain. This device is fundamentally different than a Na’vi avatar body in which a human brain is temporarily infused remotely by a human. In the case of Jake’s avatar body, which has both Na’vi and Jake’s DNA, there is no question that Jake’s avatar is not Jake himself. In the second film, the lines of identity blur between the human Miles Quaritch of the first film and the Na’vi Quaritch of the second. Cameron himself seems to be not of one mind on the question of whether the Na’vi Quaritch is the same “person” as the deceased human Quaritch. I contend that they are not, and, by implication, that a person’s self-identity, based on existing (or experience of oneself) does not rest solely with one’s memories and personality. In short, there is more to being a person. Before applying philosophy of personhood to the Quaritch characters in the films, I want to provide a context by briefly laying out the extent of parallels between the two films.

The full essay is at "Avatar: The Way of Water."

Business & Society and Business Ethics: Two Distinct Fields of Business

As a field of business, business and society (which includes the topic of corporate social responsibility (CSR)) can be viewed as falling within the rubric of the environment of business. Business and government can as well. Indeed, the environment goes beyond stakeholders. Although sometimes deemed as falling within this rubric, business ethics actually does not, as it is internal to a business even as unethical policies and decisions can impact stakeholders. In fact, business ethics and business and society are two distinct fields, even though they share a common border and are often fused as if they were one seamless country.

The full essay is at "Business & Society and Business Ethics."

Buddhist Mindfulness and the Self: Milton's Secret

On the surface, Milton's Secret (2016) is a story about a financially-stressed family getting a visit from grandpa, who brings something unusual with him (besides his tea). Because Donald Sutherland really liked the character,  he agreed to play Grandpa Howard. Grandpa has a secret, which he shares with his grandson, Milton. It fundamentally changes not only him, but also his parents. Howard brings Zen Buddhism and alchemy to his family.  That the fictional (narrative) film explains and relates the two and renders both so transparent for the audience says something about the potential of the medium itself to handle abstractions and relate them to life.

The full essay is at "Milton's Secret."

Just the Facts: Empirical Social Science Overplayed

Tilburg University in the E.U. is known to have an emphasis on empirical studies in the social sciences (including business). With this bent, the university is typically considered to be closer to the American academic tradition than that of Europa. So when Dr. Diederik Stapel, a psychology professor at Tilburg, acknowledged to having committed academic fraud in several dozen published articles in academic journals, the academic status of empirical research itself was thrown into question. Experts point out that Stapel “took advantage of a system that allows researchers to operate in near secrecy and massage data to find what they want to find, without much fear of being challenged.” Indeed, it is rare even for peer-reviewers of potential articles to demand to see the raw empirical data supporting a given study’s conclusions. According to Dr. Jelte Wicherts, a psychology professor at the University of Amsterdam, the problem of data being misused by the scholars who collect and analyze it is widespread in the discipline of psychology.

The full essay is at "Empirical Social Science."

A Nietzschean Critique of the Modern Manager

The functional managerial role in modern business is weak by Nietzsche’s standard. That is to say, a manager is of the vulgar rather than of noble strength. After highlighting Nietzsche's project more generally, I discuss his notions of strength and weakness. I then delineate Nietzsche’s attitudes toward wealth, trade and modern industrial culture—the immediate context for his concept of the modern business manager. I argue that Nietzsche views this context as decadent. Within this framework, Nietzsche’s rendering of the primordial commercial relationship can be taken as his genealogy of the modern business manager. Finally, I describe the modern business manager as akin to the ascetic priest in being a herd animal desperately seeking to dominate the herd and, presumptuously, even the strong.   

The full essay has been incorporated into On the Arrogance of False Entitlement: A Nietzschean Critique of Business Ethics and Management, which is available in print and as an ebook at Amazon. 

The Imitation Game: Machines Imitating Man?

What does it mean to understand something? Put another way, what counts as understanding? The film, The Imitation Game (2014), touches on the question of whether machines (i.e., computers) can think, but the film falls needlessly short in pursuing the question. My aim here is to show how film can be more substantive along philosophical lines without sacrificing on entertainment value.

The full essay is at “The Imitation Game.”

Ethical Theory in Business Ethics Courses

It may seem like an oxymoron, but faculty administrators at even research universities can be hopelessly narrow-minded regarding knowledge and how it is to be conveyed. For example, how often are faculty members encouraged to give a lecture or two re-teaching material largely missed on exams (followed by another, shorter examination on that material)? Do faculty administrators work with faculty members in professional schools to see to it that the applied courses are not severed from their basic (i.e., more theoretical substratum) discipline? One of the secrets in the “sauce” at Yale’s professional schools (e.g., Law, Divinity, etc.) is this salience of the respective basic disciplines (e.g., political theory and theology, respectively). Synergy comes gushing through once the false dichotomy is recognized. Before I went to Yale, I was a masters and doctoral student at the University of Pittsburgh, where the dichotomy was alive and well in the university’s social reality; I had to “walk back” the dichotomy myself as I discovered philosophy (and religious studies) while I was still studying business.

The full essay is at “Ethical Theory in Business Ethics” 

Proof

If you are not careful, you could come away from the film, Proof (2005) as a scientist, for the scientific method enjoys a starring role, albeit mostly in subtle undertones rather than in stark instructional flourishes in Technicolor. Essentially, the message is that confirming proof eludes the human mind and its scientific method. Yet interestingly, the film also captures genius, even if its source cannot be proven.

The full essay is at “Proof”

Plato’s Justice: On the Conflict of Interest in Google’s Search Engine

“Google’s popularity was built on its ability to help people find just the right Web pages. Then came the social Web, led by Facebook.”[1] Then came the “fledgling Google Plus social network,” the content of which Google then included among other search results at its search engine. The idea, ostensibly, is to “personalize” internet searches.[2] In addition to expertise on a given topic, relevant comments and even pictures posted at Google’s social network may be listed, especially if from a friend. The added utility is debatable, however, particularly as content from other social media sites such as Facebook and Twitter is more in demand, according to Danny Sullivan of Search Engine Land. I question the relevance of even that content to a search on Google, given my searches up to now, though of course it is possible that someone’s post on X could be helpful if information on X is otherwise hard to come by. At the very least, Google ought to make it very easy for users to turn off the feature while at the search site.


The full essay is at Institutional Conflicts of Interest, available in print and as an ebook at Amazon.

1. Claire C. Miller, “Google Adds Social Network to Search Results,” The New York Times, January 11, 2012.

2. Ibid.