Film in Biblical Storytelling

For anyone interested in filmmaking, a film that features the internal operations of a film studio—especially one during the “Golden Age” of Hollywood—is likely to be captivating. After all, as Eddie Mannix, the studio executive in Hail, Caesar! (2016), says, the “vast masses of humanity look to pictures for information and uplift and, yes, entertainment.” This film provides all three for its audience on what film-making was like in the studio system. With regards to the Christian theology, however, the result is mixed.  The film makes the point that theological information best comes out indirectly from dramatic dialogue rather than discussion on theology itself. In other words, inserting a theological lecture into a film’s narrative is less effective than an impassioned speech by which entertainment and uplift can carry the information.

The full essay is at "Hail, Caesar!"

De-Lovely: A Film Depicting the Sea-Change from Broadway to Hollywood

Cole Porter (1891-1964), an American composer and songwriter, is the centerpiece of the film, De-Lovely (2004). The film begins when he meets Linda, who would become his wife. Their relationship is at the center of the story, as well as Porter’s love songs sung throughout the film. Although the complicated nature of the relationship takes center stage, the film can be viewed as a moving snapshot of the first half of the twentieth century, when film made inroads that would dwarf the stage.

The full essay is at "De-Lovely."