Augustine wrote that Christians are ideally in the world but not of it. The fallen world is not the Christian’s true home. For the 5000 (plus crew) prospective colonists hibernating aboard a mammoth spaceship in the film, Passengers (2016), the planet Earth was presumably not their true home—or maybe that home was becoming climatically rather untenable and the 5000 were lucky souls heading for a new, unspoiled home. In any event, the film’s central paradigm can be characterized as “travel to” and “end-point.” That is to say, means and end characterize this picture at a basic level. The film is particularly interesting at this level in that so much value is found to reside in the means even as the end is still held out as being of great value.
The entire essay is at "Passengers."