Ben-Hur

By 2026, the world hardly needed any convincing regarding the strident zeal for endless vengeance in the Middle East, given the genocide still occurring in Gaza against the Palestinian people. In 1945, the world had needed no convincing on just how severe, and at what tremendous scale, state-sponsored (and engineered) hatred against a people deemed “subhuman” could be. The 1959 film-version of Ben-Hur is saturated with the desire for vengeance, with the antipodal motive of forgiveness only being shown as  a more powerful, and thus stronger, phenomenon at the end of the film when Judah Ben-Hur’s mother and sister are spontaneously cured of leprosy at the very moment in which Jesus dies on the Cross. Only in aiding Jesus with water on his arduous way to the Cross does the Jewish man, Judah, realize the value of the suffering man’s righteous, unmerited suffering, especially relative to the value of even satisfied vengeance. At the moment of his death, Jesus, freed of a mortal body, cures the two women as a result of Judah’s change of heart. The message is that forgiveness wins over resentment and vengeance from a spiritual standpoint.

The full essay is at "Ben-Hur."

The Apocalypse

In the film, The Apocalypse (2002), the Apostle John is a prisoner at an island-prison because he is a Christian. He is having visions of heaven in the last of days and Valerio, another prisoner is dutifully writing what John dictates so various church congregations can know of John’s revelations. He is esteemed so much by other Christians that he feels pressure to steer them to God’s truth. Too much esteem, I submit, is being directed to John, as he is, as he admits, only a human being, though he does get caught up in his own direct access to God, as in being able to know the will of God. This is a temptation for any religionist, especially religious leaders. Although subtly, the film conveys John’s over-reaches though without having another character explicitly refer to them as such.

The full essay is at "The Apocalypse."

The Seventh Sign

Carl Schultz’s film, The Seventh Sign (1988), centers on the theological motif of the Second Coming, the end of the world when God’s divine Son, Jesus, returns to judge the living and even the dead. In the movie, Jesus returns as the wrath of the Father, which has already judged humanity as having been too sinful to escape God’s wrath. David Bannon, who is the returned Jesus in the film, is there to break the seven seals of the signs leading up to the end of the world, and to witness the end of humanity. Abby Quinn, the pregnant wife of Russell Quinn, asks David (an interesting name-choice, given that Jesus is of the House of David in the Gospel narratives) whether the chain (of signs) can be broken. How this question plays out in the film’s denouement is interesting from a theological standpoint. Less explicit, but no less theologically interesting, is what role humans can and should have in implementing God’s law. The film both heroizes and castigates our species.

The full essay is at "The Seventh Sign."

Mary

The film, Mary (2024), is pregnant with intimations of the theological implications of her unborn and then newly born son, Jesus. That story is of course well-known grace á the Gospels, and the theology of agape love associated with that faith narrative is at least available through the writings of Paul and many later Christian theologians. What we know of Mary is much less, given that her role in the Gospels is not central even though the heavy title, Mother of God, has been applied to her without of course implying that she is the source of God. The film, like the magisterium of the Roman Catholic Church has done, endeavors to “evolve the myth” by adding to Mary’s story even though the additions are not meant to be taken as seriously as, for example, the Catholic doctrine that Mary is assumed bodily into heaven. The movie comes closest to the magisterium in suggesting that Mary’s birth is miraculous; the magisterium holds that Mary is born without sin, and that Jesus inherited this because of the Incarnation (i.e. God, rather than Joseph, impregnates Mary). Suffice it to say that the perception of myth as static is the exception rather than rule; it is natural for the human mind to work with myths such that they can evolve rather than take them as given in a final form or extent. This is not to say that we should focus on the faith narratives as if they were ends in themselves and thus unalterable; rather, as the film demonstrates, religious transcendence is of greater value.

The full essay is at "Mary." 

On Presumptuous Pride: Netanyahu Castigates Europe

While conducting a genocide and even a holocaust in Gaza from 2023 through at least the summer of 2025, the Israeli government was in no position to launch diplomatic threats against either the E.U. or any of its states for recognizing a Palestinian state alongside the Israeli state.[1] At the time, the warrants issued by the ICC for the arrest of Netanyahu and a former defense minister were still outstanding, and no doubt more warrants would be issued for other culprits in the Israeli government and military. I applaud Jews around the world, and especially in Israel, who have had the guts to protest publicly on behalf of human rights in Gaza and against Israel's savage militaristic incursion into Gaza and the related death of tens of thousands and starvation of millions. The human urge of self-preservation is astonishing in that as of August, 2025, so many residents of Gaza were still alive. So, for Netanyahu to charge government officials in the E.U. with being antisemitic is not only incorrect and unfair, but highly presumptuous given the severity of the atrocities unleashed by Netanyahu and his governmental cadre. Regarding both the Israeli protesters and the Netanyahu government, distinguishing the ethical from the theological domains, which are admittedly very much related, is helpful.

The full essay is at "On Presumptuous Pride."

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1. Tal Shalev et al, “Israel Launches Diplomatic Attacks on Its Western Allies Ahead of Palestinian Statehood Recognition,” CNN.com, August 20, 2025.

On the Ethics of Business Donations and Saving Souls

In the film, Major Barbara (1941), Barbara, a Major in the Salvation Army, has been raised with her sister and brother by their mother. She is legally separated or divorced from the father, Andrew Undershaft, who nonetheless finances the lavish lifestyle of his family. Even Barbara, the idealist Christian evangelical, lives on her father’s armaments wealth. Yet when she meets him after several years, she leaves the Salvation Army after Andrew and an alcohol producer donate large sums. Although Barbara recognizes that the Army in London needs the money, she believes that the Army has sold out because providing weapons of death and alcohol are sinful. “What price salvation, now?” a customer at the Army’s soup kitchen asks Barbara after she had taken off her Army pin and given it to her father. Barbara is not willing to continue with the Christian organization because in her mind it has sold out even though it admittedly needs the donations to survive. But has the Army sold out? Furthermore, does Barbara sold out in using her father's business to convert workers. Ironically, that may be more ethical than the Army's approach to saving souls. 

The full essay is at "Major Barbara."

Comparing Religions

The subfield of comparative religions can be exciting because the beliefs, values, symbols, myths, and rituals can introduce a person to such different ideas that the rush of making a discovery can even be felt. Jaroslav Pelikan, a twentieth-century historian of Christianity, once said that he had learned so many languages just so he could have access to ideas that were not as of yet available in English. Such ideas could be very different than the historian’s extant knowledge. It is perhaps like the early European explorers in America finding plants and cultures that were so unlike those of Europe because the distance had not allowed for cross-pollination and the influence of cultural exchanges. I contend that one reason why religions can be very difficult to compare is that elements of them in a given topic can be so different in kind as to not be comparable. Religions may even be based on variables that cannot be directly compared because they are so different in kind. The related paradigms also may not be comparable. Therefore, it may be that religious comparison is more fitting to comparing sects (e.g., denominations) within a given religion. Even when continuity exists between an established religion and a new one in the same context, the foundational variables may be so different in kind that they are not comparable. I will look at cosmology (e.g., Creation), ritual (e.g., sacrifices) and divine attributes (e.g., truth and love) below to support my claim.

The full essay is at "Comparing Religions."

On Believing in Jesus Christ as the Preeminent Focus of Christianity

Jesus’ identity as the Son of God is salient in the four canonical gospels, as well as in Paul’s letters. Hence, christology has been an important field of theology. While the benefits to the Christian have been touted so much in historical and contemporary theological writings, the costs and vulnerabilities of the nearly monopolistic focus have largely gone unnoticed. The realization of them would allow Christians (including extant theologians) to gain a fuller (i.e., holistic) perception and understanding of the religion, and even a better practice thereof.  I will begin with the theology then provide a practical example of the problems involved in having a willowed-down focus at the expense of the drawbacks.

The full essay is at "Jesus' Identity and Teachings."

The Basis of Christian Faith: Beyond Idolatry

I think perhaps the title of the film, Silence (2016) ought to have been “The last Priest” because the main character, Rodrigues, is the last remaining Roman Catholic priest in Japan. His inner struggle is the core of the narrative, and of the theological/ethical dilemma to be resolved. The movie is set in Japan in 1640-1641. A Buddhist inquisitor, Mokichi, is torturing and killing Christians, who must step on a stove carving of Jesus as proof of committing apostasy (i.e., renouncing their faith). Taking it as proof, Father Rodrigues torments over whether to apostasy in order to save the Japanese Christians whom Mokichi is having killed serially until the priest renounces his faith. I submit that the assumption of proof rests on dubious grounds, so Rodrigues is actually faced with a false dichotomy.

The full essay is at "Silence."

Religious Violence as Hypocritical

In the movie, Boy Erased (2018), the director of a church’s conversion therapy program invites the immediate family members of one gay boy to hit him with a bible to drive out the underlying demon. The boy subsequently commits suicide. Lest this notion of using violence to remove a sin in the twenty-first century is assumed to lie in the realm of fiction, John Smyth, an Anglican, was accused in 2017 “of subjecting at least 22 teenage boys to savage beatings in his garden shed” at “an elite Christian camp for boys. His intent was “purging them of perceived sins such as masturbation and pride”[1] A Christian charity group oversaw the camp, yet I contend that the camp was not Christian.

The full essay is at "The Anti-Christian."

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[1] Ceylon Yoginsu, “Doubt Cast on When the Archbishop Knew of Abuse,” The New York Times, October 15, 2017.