Accountability for the Rich and Famous: A Soft Landing for an Ex-Prince

In ancient Greek tragedy, it was not uncommon for a god or goddess to perform the function of a Greek (i.e., conscience) chorus at the end of a play while being pulled by pullies high above the stage. Deus ex machina is the Latin phrase, which meant, a deity out from pullies. We get machine, mechanism, and even engine from the Latin word, machina. A movie entitled Ex Machina is on an AI android that seems full of life, even miraculous, from “pullies” inside it’s “body.” Ex-Prince Andrew of the (seceded) sovereign state of UK, or “Britain” informally, seemed to fly about the other actors in being able to land, rent-free, fittingly around Christmas, 2025, at the monarch’s Sandringham estate in eastern Britain, still rent-free, and with King Charles funding his brother. Considering that Andrew Windsor should arguably been sent to prison for having sex with a 17 year-old prostitute in the employ of the infamous Epstein, and that a large settlement paid by Queen Elizabeth II made Giuffre’s charges go away, as if magically, Andrew not only landed on his feet, but without touching the ground where us mere mortals make our way through life to survive and perhaps prosper.

The full essay is at "Accountability for the Rich and Famous."

Downton Abbey

Taking a story from a television series to a movie can present hurdles for screenwriters and directors, especially if they do not fully appreciate the qualitative differences between a movie and a television series. To be sure, well-crafted series such as Downton Abbey, The Crown, Game of Thrones, and House of Cards had narrowed the difference in terms of quality. Even so, a narrative limited to around two hours of play time is different than a narrative meant to be on-going. The financial resources are also more concentrated in the making of a film than an ongoing series (even if it ends after five or six years). I submit, therefore, that Julian Fellowes, the producer and screenwriter of both the Downton series and movie, erred in hiring a director of the series, Michael Engler, to direct the movie. Just because he had directed (just) four episodes of the series does not mean that he knew how to direct a movie. A seasoned movie director would have been a better choice.

The full essay is at "Downton Abbey."

Naked Royalty: Prince Harry and the Sun

In publishing naked pictures of Prince Harry on holiday in Nevada, the Sun in Britain ignored the warning from the press watchdog that had warned the Sun that it would be breaching a privacy provision in the state of Britain’s press code. That the warning followed an appeal to the Press Complaints Commission from St. James’s Palace, which is Prince Charles’s home and office in London, suggests that the warning came from “the firm” itself to protect one of its own.

                   

A naked royal hits the newsstands in Britain.         Tony Melville/Reuters

The full essay is at "Privacy and the Press."

Royalty: Natural or Exaggerated?

On April 29, 2011, the world watched in utter fascination as a crown prince in one of the E.U. states married a wealthy commoner in London's Westminster Church--the same edifice in which Queen Elizabeth had married in 1947.  The prince is of course William, and his bride is Kate (or Catherine to the purists), who in one hour's time went from being the daughter of two wealthy commoners to royalty.  It is as though she leap-frogged from “the many” past “the few” to join “the one”--the firm. My question is whether these distinctions, involving birth as well as wealth, are natural in terms of human nature or exaggerated artifices borne of excessive privilege and power.

The full essay is at "The Wedding of the Century: Royalty as Natural or Exaggerated?"

On the "Wedding of the Century": History Made or Manufactured?

In hyping the royal wedding of William and Kate in the E.U. state of Britain, the media even in other E.U. states applied the title, “The Wedding of the Century” in spite of the fact that the century was only in the second year of the second decade. It is rather presumptuous for people alive at such a time to claim so much for their time, and therefore for themselves. Lest our self-constructed bubble unexpectedly bursts, we might let some air out of our self-constructed balloon in a controlled manner such that our bloated egos can survive without too much bruising.

The full essay is at "Wedding of the Century."

See related essay: "On the 'Wedding of the Century': Royalty as Natural or Exaggerated?"

Saudi Arabia Beheads a Member of the Royal Family: Justice for All, Atrociously

On October 18, 2016, Saudi Arabia executed a member of the royal family for committing murder during a brawl. Prince Turki bin Saud bin Turki bin Saud al-Kabeer was put to death most likely by beheading in a public square—as this was the usual method at the time. As horrific as such an execution is, the point that law applies to everyone is laudable—especially “on point” for countries in which the rich can “get away with murder” by hiring the best (and most expensive) lawyers.  The atrocious means of execution coupled with the dictum that the law really does apply to everyone renders this case particularly difficult to analyze from an ethical perspective. 

The full essay is at "Saudi Arabia Beheads."

The Last Emperor: A Curious Case of Limited Absolute Power

People either obey a powerful government official or rebel. A rebellion does not typically include continued loyalty to the sovereign. The French Revolution demonstrates this point. Yet in China in the 1910s as the Qing dynasty lost power, the authority of the emperor became more complex—or maybe it had been so throughout the dynasty.

The full essay is at “The Last Emperor”