On Russia Erasing Ukrainian Children

Human rights are typically thought of as applying to individuals, even to groups, but do national-ethnic human rights exist? Do nations having a distinct ethnic culture have the right to their respective citizenries from being indoctrinated by other governments set on erasing even traces of the culture from the minds of citizens?  If so, then by 2026, Ukraine had a legitimate claim against Russia for having violated the rights of the Ukrainian state as protector of the Ukrainian ethnicity in the populous. In particular, as part of its multi-year invasion of Ukraine, the Russian government violated the human rights of Ukraine itself and Ukrainian children not only by kidnapping the kids to Russia, but also in indoctrinating them with the intent of ridding them of their distinctly Ukrainian cultural identity.

The full essay is at "On Russia Erasing Ukrainian Children."

Religiosity among Young Republican Men: An Escape from Homosexuality to White Privilege?

Idealism may exist especially in young adults because they have not experienced decade upon decade of the intractability of a deeply flawed social, political, and economic world’s status quo, which typically permits only incremental change. Zealous optimism can be expressed in a variety of domains, including religion, social issues, and politics. For example, political group-affiliation can stimulate a more intense devotion to religion, and vice versa. Even a passion on social agendas can translate into increased religiosity, and the latter can overreach onto the former. It can be asked of such instances whether the religiosity is genuine, or merely transferred energetic enthusiasm from another domain. The upsurge in religiosity among young Republican men polled by Gallup in the mid-2020s may be more political than religious. Relative to the growing numbers of non-religious-affiliated people in the U.S. as well as the E.U., the uptick among young Republicans should be put into perspective.

The full essay is at "Religiousity among Young Republican Men."

The Aryan Couple

The matter of group-identity is salient in the film, The Aryan Couple (2004), which actually centers around two couples: Joseph and Rachel Krauzenberg, and Hans and Ingrid Vassman. The Krauzenbergs contract with Himmler, the man whom in Nazi Germany was tasked with riding the Reich of its Jewish population, to exchange the Krauzenbergs’ asset-rich and sprawling conglomerate for safe passage of the entire Krauzenberg family out of Germany to Palestine instead of being sent to a concentration camp. Joseph and Rachel are Germans, and yet, quite artificially, they refer to Germans in the third person, and to themselves as Jews. It is precisely this error that I submit may have contributed historically to the ostracism of the Jews in Germany even before Hitler’s rise to power, hence contributing to setting the stage for a final, horrific solution. Film can thus be used to widen people’s thinking on historical and political events, and thus play a deeper role than merely to entertain.

The full essay is at "The Aryan Couple."

Farha

The establishment of the state of Israel in 1948, being in the wake of the Nazi atrocities, was arguably viewed generally then as something that the world owed to the Jewish people. Perhaps for this reason, the UN did not take adequate measures on the ground to safeguard the Palestinian residents. In retrospect, the possibility, even likelihood, that people who group-identify with (or even as) victims consciously decide to become victimizers should have been better considered. The film, Farha, made in 2021, illustrates the sheer indeterminacy, and thus arbitrariness, of human volition when it issues orders to the body to be violent against other rational beings. Channeling Kant, it can be argued that the decision to shoot a family that poses absolutely no threat impurely out of hatred based on group-identity fails even to treat other rational beings as means—to say nothing of as ends in themselves. The deplorability in being unwilling even to use another person as a means to some selfish goal, preferring instead to kill rather than respect the otherness of the other, grounds the verdict on the culprit as a being that is less than nothing. In another film, The Brutalist (2024), Laszio, the Jewish protagonist, erroneously concludes that Jews must surely be less than nothing, given how they were treated in Nazi Germany, but also how he and other Jews are regarded in Pennsylvania, especially considering that news of the Holocaust has reached America. Whether raw brutality or silent, passive-aggressive prejudice is suffered, turning one’s own victimhood, or, even worse, that of one's abstract group, into victimizing is ethically wrong. Such lashing out in retribution, or, even worse, in disproportionate vengeance, fails to treat other rational beings as ends in themselves, and even as means for one's own future use. Such cycles have a beginning, one of which  Farha captures very well at an interpersonal level. At that level, group-identity seems especially artificial, even as it explains the visible hatred to casual observers such as film-viewers.

The full essay is at "Farha." 

Golda

In introducing a screening of Golda (2023) at Yale, Shiri Goren, a faculty member in the university’s Near Eastern Languages department, told the audience that “the non-Israeli, non-Jew Helen Mirren plays Golda Meir in the film." Strange. Normally, a presenter of a film would say, "Helen Mirren plays Golda." I contend that a squalid ideology accounts for the difference. Rather than evincing gratitude that such an excellent actress would play an ugly character (in the film, even Golda herself refers to her feet in a derogatory way), the implication obvious to everyone in the room was that an actor can, or even worse, should only play characters of the actor’s own background. How dare an actor play a character of a different background. Goren’s basic ignorance of the craft of acting (i.e., playing characters who are not like oneself) belies her credibility in teaching a course called Israeli Society in Film. Did the screenings only include films whose actors were Israelis? Golda herself was Ukrainian. Goren also taught Israeli Identity and Culture, which explains why her knowledge of acting was eclipsed. To Goren, a group-identity that monopolizes a person's self-image trumps the craft of acting. I contend that underlying her false-belief or delusion concerning acting (and film, moreover) lies a much larger problem: namely, that of the artificial monopolization of one of several group-identities that apply to a given person and can precipitate an exclusivist ideology alone one axis. Each of us has more than one group-identity, so to allow one to envelop one’s very identity is artificial and thus problematic. Resulting ideologies tend to be monopolistic and thus too extreme too. 

The full essay is at "Golda."