The Devil’s Arithmetic

The Devil’s Arithmetic (1999) can be classified superficially as a coming-of-age film, for Hanna, the protagonist, starts out being immaturely contemptuous of her family’s ethnic and religious heritage and current practice. She tries to skip the Passover Seder at her grandparents’ house. That her aunt Eva had been a prisoner at a Nazi death camp makes no difference to Hanna—that is, until she is transported back as her aunt’s cousin (for whom Hanna was named) and experiences the camp herself. Whether she is really transported back in time (and if so, how?) or is merely dreaming is answered in the end but not so blatantly as would insult the viewers’ intelligence. Then again, it’s not every film that has allusions both to theology and The Wizard of Oz. The different ways in which that movie is incorporated and alluded to in this film are actually quite sophisticated in extending the viewers’ sense of synchronicity beyond the film’s narrative.

The full essay is at "The Devil's Arithmetic."

The Bahá’i Religion: Theological Problems

The Bahá’i religion is based on the monotheistic teachings of Bahá’u’lláh, the nineteenth-century prophet whom Bahá’i’s maintain is the prophet even for the twenty-first century. The monotheism dovetails with the religion’s earthly goal of unity even in diversity.[1] At the same time, the religion is universalistic in that it holds that truth can come out of various religions, including non-deism Buddhism and polytheistic Hinduism. Bahá’i aims to be a tolerant religion in principle, although it seems to me that the monotheistic religions would naturally be favored. Although Hindu and Buddhist teachings and prayers are incorporated, Bahá’i does seem to emphasize Judaism, Christianity, and Islam. Yet this does not absolve Bahá’iism from the tension in being both monotheist and inclusive of truth from non-monotheist religions. Even within Bahá’i’s grasp of the three monotheist religions an underlying tension can be found. Specifically, although Bahá’iism aims to accurately represent all three of the Abrahamic religions, the desire to emphasize what those religions have in common comes at the expense of taking each in its own, distinct terms. In particular, Bahá’i teaching treats Moses, Jesus, and Mohammed similarly even though they are different types in their respective religions. The imposed isomorphism enables Bahá’iism to claim Bahá’u’lláh as the fourth is a series of the same prophet-type. This type stresses the divine-connection of the prophet at the expense of his human nature. Meanwhile, the goal of unity—the Kingdom of God—is also portrayed in distinctly earthly terms, albeit idealized, as the unity possible around the world of different peoples in “a civilization founded on justice, equality and unity in diversity.”[2] Viewing the Kingdom of God in such concrete, even partisan terms can arbitrarily narrow and even skew the divine into terms that are human, even all too human.

The full essay is at "The Baha'i Religion."

For more, see: God's Gold: Beneath the Shifting Sands of Christian Thought on Profit-Seeking and Wealth;  Spiritual Leadership in Business: Transcending the Ethical. Both are available at Amazon.

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1. This is similar to Schopenhauer’s ethical theory of compassion being based on Plotinus’s (a second-century Christian philosopher) notion of the One.

2. From the 2019 Grassroots Teaching Conference of the Four Corners Region.