Dying

As a Jewish kid in Nazi Germany, Michael Roemer, a filmmaker who went on to teach documentary at Yale (I took Charles Musser’s seminar a semester after Roemer left), had to lie in order to survive. In making the film, Pilgrims Farewell, he wanted to get as close to the truth as a human can. He didn’t want to lie anymore. He wanted to deal with the real thing. In making the documentary, Dying (1976), he realized that the people whom he documented as they were dying were more real that what he was going through in his family in New York. Artists and their families pay, he remarked decades later at Yale. “I neglected my family; I was always working. Once I started, I had to make the film,” he said after a presentation of the film on dying. “The people dying knew something we didn’t know,” he added. The prospect of death apparently makes things incredibly real, before they’re not.

The full essay is at "Dying."

Oh, Siagon

War can leave families in a dysfunctional condition. In the case of the Vietnam War, the broadcast video of the last helicopter taking off from the roof of the American embassy in Siagon in 1974 carries with it the veneer of fleeing Vietnamese on their way to a life of freedom in the United States. Not evident from the video is the impact on a Vietnamese family that is documented in the film, Oh, Siagon (2007).

The full essay is at "Oh, Siagon."

From Ground Zero: Stories from Gaza

Twenty-two real-life stories fraught with suffering and a pervading sense of utter hopelessness: The film, From Ground Zero: Stories from Gaza (2024), is a documentary in want of a solution that did not come not only in 2024, but also in 2025. That Rashid Masharawi, the film’s director, survived even the release of the film is remarkable. Israel clearly did not want true stories from Gaza reaching the rest of the world even though it was not as if the rest of us could miss the photos of the mass devastation throughout Gaza and the resulting tent camps in 2025. It precisely because societal-level figures, such as 65,000 or 75,000 civilians murdered and over a million left starving and homeless, can be easily separated from the plights of individuals and families on the ground that Masharawi’s film is so valuable. Juxtaposed with the Gaza-wide statistics befitting the genocide and perhaps holocaust, the 22 stories in the film give the world a sense of what experiencing a holocaustic genocide is really like.

The full essay is at "From Ground Zero."

A Night of Knowing Nothing

Diwali, or Deepavali, is one of the biggest festivals in India. More than a billion Hindus, Sikhs, Jains, and Buddhists in the world celebrate the festival of lights in which good triumphs over evil. “Despite its deep religious significance, Diwali today is also a cultural festival observed by people regardless of faith.”[1] In this regard, Diwali is like Christmas, which plenty of non-Christians celebrate as a day of giving complete with the secularized myth of Santa Claus, Rudolf the Red-nosed Reindeer, and Frosty the Snowman. To claim that Diwali is exclusively Hindu or Christmas is only a Christian holiday—and thus in resentment to ignore either holiday—violates the spirit that both share. The “Happy holidays” greeting is an oxymoron, given its underlying motive of resentment. Yet if this were the extent of human aggression, the world would be a much better place. The Indian documentary film, A Night of Knowing Nothing (2021), reveals much worse than the passive aggression of dismissing a national holiday as if it did not exist. The violence unjustifiably and wantonly inflicted by university police on students at several universities who are protesting caste discrimination and the politically partisan coup at the Film and Television Institute of India, goes beyond even the harm exacted by the discrimination by caste. A Diwali celebration is shown in the film, and this raises the question of whether we can of yet even assuming our species' “progress,” celebrate the victory of good over evil as long as human beings in power abuse their discretion with impunity.

The full essay is at "A Night of Knowing Nothing."

---

1. Harmeet Kaur, “What to Know about Diwali, the Festival of Lights,” CNN.com, November 11, 2023.

Public Access to the Public Domain Increasingly Privatized for Profit

To Aaron Swartz, the subject of the documentary, The Internet’s Own Boy (2014), the major concern in his day regarding the internet was not the ability of a person to create a blog or use social media; rather, the problem was in the trend of the power of the gate-keepers, who tell you were on the internet you want to go, concentrating. In other words, the issue concerned what commands our attention. More specifically, who gets access to the ways people find things on the internet. “Now everyone has a license to speak; it’s a question of who gets heard,” he said.  Although he was a computer wiz, he also had political aspirations; both of which were on display as he lobbied against the Stop Online Piracy Act (SOPA), which was introduced in Congress in October of 2011. Unfortunately, the combination of his computer and political skills got the attention of the FBI, which engaged in a relentless pursuit of him until, under the pressure, he committed suicide at the age of 26. His short life was one of idealism that should not have been squashed by an unstoppable criminal-justice system, especially when influenced by political pressure from corporations and politicians. Lest the overzealousness of law enforcement obscure a vision of Aaron’s idealism, it can be viewed as public access being restored to the public domain in terms of the internet.

The full essay is at "The Internet's Own Boy."

Anne Frank Remembered

While studying at Yale, I took a seminar on documentaries following two other, more pertinent film courses on narrative itself. I even took a preaching seminar on story-telling. The documentary choice was off my trajectory. The opportunity cost was large, considering that I was otherwise taking courses in Yale’s better-reputed humanities fields of philosophy of religion, theology, and history. Now perhaps my excursion into the documentary genre can bear some fruit, for I analyze here the documentary, Anne Frank Remembered (1995). The strength of this documentary I take to be its reliance on witnesses even at the expense of narration to tell the story. People could say with definiteness what had happened to Anne Frank since she and her sister and parents left Amsterdam. Their journey evinced the mentality of the Nazis as one not just as dehumanizing the Jews, but as treating them worse than livestock. Even when Nazi Germany was losing the war, the Nazis foreswore the use-value of the Jews starved or gassed.

The full essay is at "Anne Frank Remembered."

The Big Short and Concussion: A System on Steroids

Want a glimpse of the "powers that be," American-style? Three films--"The Big Short," "Concussion," and "Spotlight"--together form a perfect storm that in theory could trigger resistance. More practically speaking, the films are likely to result in more departmentalization, psychologically speaking. 

The full essay is at "The Big Short and Concussion."