Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Thursday, April 16, 2026

UCLA Police: Targeting Black and Hispanic Local Residents?

The importance of demarcating a university’s campus from a municipality became more important once universities created their own police departments, which are distinct from a city’s police department both in terms of mission and democratic legitimacy. From the standpoint of a police department, being subject to a university’s administration is qualitatively different than being a department under a democratically-elected mayor and city council. I contend that in terms of how university-police employees treat Black and Hispanic local residents, this fundamental distinction is crucial even though it is seldom made. UCLA, located in the Westwood area of Los Angeles in California, is a case in point. So too—and even more so, is the private Yale University, located in New Haven in Connecticut.


The full essay is at "UCLA Police."

Saturday, September 20, 2025

The Aryan Couple

The matter of group-identity is salient in the film, The Aryan Couple (2004), which actually centers around two couples: Joseph and Rachel Krauzenberg, and Hans and Ingrid Vassman. The Krauzenbergs contract with Himmler, the man whom in Nazi Germany was tasked with riding the Reich of its Jewish population, to exchange the Krauzenbergs’ asset-rich and sprawling conglomerate for safe passage of the entire Krauzenberg family out of Germany to Palestine instead of being sent to a concentration camp. Joseph and Rachel are Germans, and yet, quite artificially, they refer to Germans in the third person, and to themselves as Jews. It is precisely this error that I submit may have contributed historically to the ostracism of the Jews in Germany even before Hitler’s rise to power, hence contributing to setting the stage for a final, horrific solution. Film can thus be used to widen people’s thinking on historical and political events, and thus play a deeper role than merely to entertain.


The full essay is at "The Aryan Couple."

Saturday, February 10, 2024

Yale Vipers

Even though it is sometimes difficult to "read between the lines" to assess whether or not people in an organization are welcoming or tacitly "showing you the door," the message is undoubtable and even palpable when "all the arrows are pointing in the same direction." In the case of Yale, where I have been an alumni scholar temporarily in residence during the 2023-2024 year, the university's administration could do its alumni a big favor by explicitly saying that we are not welcome back on campus, except to visit and of course donate money. Instead, passive aggression, unaccountability, and even unwarranted retaliation rule the roust there, in what is a toxic organizational culture. 


The full essay is at "Yale Vipers."

Thursday, October 26, 2023

Golda

In introducing a screening of Golda (2023) at Yale, Shiri Goren, a faculty member in the university’s Near Eastern Languages department, told the audience that “the non-Israeli, non-Jew Helen Mirren plays Golda Meir in the film." Strange. Normally, a presenter of a film would say, "Helen Mirren plays Golda." I contend that a squalid ideology accounts for the difference. Rather than evincing gratitude that such an excellent actress would play an ugly character (in the film, even Golda herself refers to her feet in a derogatory way), the implication obvious to everyone in the room was that an actor can, or even worse, should only play characters of the actor’s own background. How dare an actor play a character of a different background. Goren’s basic ignorance of the craft of acting (i.e., playing characters who are not like oneself) belies her credibility in teaching a course called Israeli Society in Film. Did the screenings only include films whose actors were Israelis? Golda herself was Ukrainian. Goren also taught Israeli Identity and Culture, which explains why her knowledge of acting was eclipsed. To Goren, a group-identity that monopolizes a person's self-image trumps the craft of acting. I contend that underlying her false-belief or delusion concerning acting (and film, moreover) lies a much larger problem: namely, that of the artificial monopolization of one of several group-identities that apply to a given person and can precipitate an exclusivist ideology alone one axis. Each of us has more than one group-identity, so to allow one to envelop one’s very identity is artificial and thus problematic. Resulting ideologies tend to be monopolistic and thus too extreme too. 

The full essay is at "Golda."