Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Thursday, June 25, 2026

Strange River

Not every film has an implicit Thoreau signature reflective of the nineteenth-century Romantic turn from the age of Reason. Not every film brings to mind the Romantic painter, Joseph M. W. Turner (1775-1851), whose painting of nature’s green growing over classic Roman pillars as if to say, nature has the last word. The European film, Strange River (2025), is such a film. The key to making these connections lies not in the film’s dialogue, but, rather, in Jaume Muxart’s consistent choice to direct the film by ending several scenes with elongated camera-shots of nature. This leitmotif has Thoreau’s Walden Pond written all over it and is an implicit critique of rationality.


The full essay is at "Strange River."

Friday, May 18, 2018

Frank Lloyd Wright: A Modern Renaissance Man

Perhaps no greater Renaissance man has been cited in American history than Thomas Jefferson. He wrote on the native plants of his country, Virginia, ran a plantation, designed buildings, founded a university, surveyed land,  was the head of state in Virginia, wrote a declaration of independence, and was the third president of the new American Union. More than two centuries after Mr. Jefferson, however, a cleft had become well-ensconced in American society between being an intellectual and a practitioner. The typical lawyer or physician, who holds two undergraduate degrees due in part to the political sense that a well-rounded citizenry makes a good electorate, has scant interest in intellectual endeavor. Indeed, one might even say that the “professions” place scant value on such activity; it is not “real work” or of the “real world.” The disdain is palpable, particularly in among the self-righteous in America. Yet Mr. Jefferson was able to bridge this gulf; so too can we. More contemporary examples can be cited to illustrate the mere possibility. The requisite delimiting "pruning" self-discipline might come as a surprise to people who presume that Renaissance breadth is borne of a wayward inability to "stay put."

The full essay is at "Frank Lloyd Wright.